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Directed by | |||
| Tom Holland | |||
Writing credits(WGA) | ||
| Don Mancini | (story) | |
| Don Mancini | (screenplay) and | |
| John Lafia | (screenplay) and | |
| Tom Holland | (screenplay) | |
Produced by | |||
| Elliot Geisinger | .... | co-executive producer | |
| David Kirschner | .... | producer | |
| Laura Moskowitz | .... | associate producer | |
| Barrie M. Osborne | .... | executive producer | |
Original Music by | |||
| Joe Renzetti | |||
Cinematography by | |||
| Bill Butler | (director of photography) | ||
Film Editing by | |||
| Roy E. Peterson | |||
| Edward Warschilka | |||
Casting by | |||
| Sharon Bialy | |||
| Richard Pagano | |||
Production Design by | |||
| Daniel A. Lomino | |||
Set Decoration by | |||
| Cloudia Rebar | (as Cloudia) | ||
Costume Design by | |||
| April Ferry | |||
Makeup Department | |||
| Michael Hancock | .... | makeup artist | |
| Marina Pedraza | .... | hair stylist | |
Production Management | |||
| Robert Latham Brown | .... | unit production manager | |
| Carl Olsen | .... | unit production manager | |
Art Department | |||
| William Arnold | .... | set designer (as William David Arnold) | |
| Gary Baugh | .... | set designer | |
| Bernard P. Cutler | .... | assistant art director | |
| William Dambra | .... | property master: Chicago | |
| Edward England | .... | construction coordinator: Chicago | |
| Casey Hallenbeck | .... | leadman | |
| James F. Orendorff | .... | construction coordinator | |
| Francis J. Roix | .... | carpenter | |
| Arthur Shippee | .... | property master | |
| Timothy W. Tiedje | .... | set dresser | |
| James E. Tocci | .... | set designer | |
| Frank White | .... | labor foreman | |
| David Gianneschi | .... | swing gang (uncredited) | |
| Robert E. Knight | .... | scenic artist (uncredited) | |
Sound Department | |||
| Harry Cheney | .... | sound editor | |
| Clayton Collins | .... | sound editor (as Clayton R. Collins) | |
| Rick Kline | .... | sound re-recording mixer | |
| Cheryl Kroll | .... | assistant sound editor | |
| Donald O. Mitchell | .... | sound re-recording mixer | |
| Kevin O'Connell | .... | sound re-recording mixer | |
| John Riordan | .... | supervising sound editor | |
| Kirk Schuler | .... | sound editor | |
| Douglas Vaughan | .... | boom operator | |
| Sherman Waze | .... | sound editor | |
| James E. Webb | .... | sound mixer | |
| Daniel Yale | .... | sound editor (as Daniel Evan Yale) | |
| Marty Church | .... | foley mixer (uncredited) | |
| Don Summer | .... | sound mixer (uncredited) | |
| Dan Yale | .... | dialogue editor (uncredited) | |
Special Effects by | |||
| Howard Berger | .... | shop supervisor: chucky construction crew | |
| Richard O. Helmer | .... | special effects supervisor | |
| Rick Lalonde | .... | lab technician: chucky construction crew | |
| Ron Pipes | .... | hair: chucky construction crew | |
| Zandra Platzek | .... | hair: chucky construction crew | |
| James D. Schwalm | .... | special effects | |
| Carl Sorensen | .... | lab technician: chucky construction crew | |
| Christopher Swift | .... | lab technician: chucky construction crew | |
| Kevin Yagher | .... | designer and executor: "Chucky" doll | |
| Mark C. Yagher | .... | shop assistant: chucky construction crew | |
| James Kagel | .... | lead sculptor (uncredited) | |
Visual Effects by | |||
| Peter Donen | .... | visual effects supervisor | |
| Joseph Yanuzzi | .... | visual effects editor | |
Stunts | |||
| Anthony Cecere | .... | stunts | |
| Joie Chitwood Jr. | .... | car stunts: Mike (as Joie Chitwood) | |
| Bob K. Cummings | .... | stunts (as Robert Cummings) | |
| Bud Davis | .... | stunt coordinator | |
| Eddie J. Fernandez | .... | stunts & stunt driver | |
| James Fierro | .... | stunts | |
| Glory Fioramonti | .... | stunts | |
| Joe Gilbride | .... | stunts | |
| Rick Le Fevour | .... | stunts | |
| Stacy Logan | .... | stunts | |
| Carl Paoli | .... | stunts | |
| Debby Lynn Ross | .... | stunts | |
| Dennis Scott | .... | stunts | |
| Joie Chitwood Jr. | .... | assistant stunt coordinator (uncredited) | |
Camera and Electrical Department | |||
| Art Bartels | .... | key grip: Chicago | |
| James Blanford | .... | director of photography: second unit | |
| James R. Connell | .... | camera operator (as Jim Connell) | |
| Peter J. Donoghue | .... | rigging gaffer: Chicago | |
| George Hill | .... | key grip | |
| To Lee | .... | second assistant camera | |
| Morgan Michael Lewis | .... | key grip | |
| John Lubin | .... | best boy: Chicago | |
| Wayne Mort | .... | dolly grip | |
| Mike Moyer | .... | chief lighting technician | |
| Peter Salim | .... | camera operator: insert unit | |
| Don Smetzer | .... | still photographer: Chicago (as Donald Smetzer) | |
| Peter Sorel | .... | still photographer | |
| Robert Ulland | .... | steadicam operator: Chicago (as Robert K. Ulland) | |
| Johnny Walker | .... | first assistant camera (as John Morton Walker) | |
| Paolo Cascio | .... | second assistant camera (uncredited) | |
Casting Department | |||
| Jane Alderman | .... | casting: Chicago | |
| Shelley Andreas | .... | casting: Chicago | |
Costume and Wardrobe Department | |||
| Mort Schwartz | .... | costume supervisor | |
| Lois DeArmond | .... | costume illustrator (uncredited) | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter | |
| Bob Noland | .... | color timer | |
| Kevin Nolting | .... | assistant editor | |
| Scott K. Wallace | .... | additional film editor (as Scott Wallace) | |
| Carlyn Montes De Oca | .... | assistant film editor (uncredited) | |
Music Department | |||
| David Chackler | .... | music supervisor | |
| Brad Dechter | .... | orchestrator | |
| Arlon Ober | .... | orchestrator | |
| Ted Whitfield | .... | music editor | |
Transportation Department | |||
| James Davis | .... | transportation coordinator | |
| George DiLeonardi | .... | transportation coordinator: Chicago | |
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| Child's Play 2 | Child's Play 3 | The Professional: Golgo 13 | The Dark Knight | Sin City |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
Child's Play was billed as a horror movie, but it's hard to categorize it as such. Especially by 1980s standards. There's no brainless teenage cattle, no gratuitous nudity, and no ridiculously high body count. If anything, Child's Play runs like an episode of Rod Serling's The Twilight Zone. It's creepy, but ultimately not shocking. This is no coincidence. An episode of The Twilight Zone called Living Doll used a similar premise.
Child's Play is done very well, considering it's about a serial killer who uses voodoo magic to transfer his soul into a doll. The acting is way above average for a horror movie and the momentum builds nicely. The viewer is forced to wait quite awhile before they actually see Chucky kill anyone. If anyone has seen VH1's "I Love the 80s" then you've probably seen Dee Snider mock the movie: "It's a doll! Step on it! It's over!". If Chucky tried to go on a killing rampage, this would work. But he doesn't. He uses stealth and cunning to make up for the failings of his diminutive body. He reveals his true self only to young Andy, the boy who gets him as a birthday present. He kills all his hapless victims without much trouble. After all, who would suspect an innocent little doll could kill you when you're not looking?
Perhaps the biggest problem with Child's Play is that it was billed as an evil doll movie. Chucky was on all the posters and commercials, knife in hand. It would have worked much better as a suspense thriller, where you suspect that little Andy Barclay is the murderer.
Despite it's failings as a horror movie, Child's Play is still a great movie because it paints a dismal and accurate picture of the 80s: the frustration of single parenthood, the dark dangerous inner cities, and trying to get your kid that overpriced toy that they just *have* to have. Child's Play also came at a time when dolls were really popular: Teddy Ruxpin, Cabbage Patch Kids, My Buddy, and Kid Sister were all hot items. Little kids loved these things, but there's something inherently sinister about dolls. Those glassy eyes and perma-smiles seem insincere.
Overall, Child's Play is a movie that probably succeeded because it was in the right place at the right time. Nonetheless, it's worth at least a few viewings. Chucky is easily one of the top 3 horror movie villains of the 1980s along with Freddie Krueger and the Gremlins.
Rating: 4 out of 5 stars