| Hugh Quarshie | ... | Father Gus | |
| Tomas Arana | ... | Evan | |
| Feodor Chaliapin Jr. | ... | The Bishop (as Feodor Chaliapin) | |
| Barbara Cupisti | ... | Lisa | |
| Antonella Vitale | ... | Bridal Model | |
| Giovanni Lombardo Radice | ... | Reverend | |
| Asia Argento | ... | Lotte | |
| Roberto Caruso | ... | Freddie | |
| Roberto Corbiletto | ... | Hermann, the Sacristan | |
| Alina De Simone | ... | Lottie's Mother | |
| Olivia Cupisti | ... | Mira | |
| Gianfranco De Grassi | ... | The Accuser | |
| Claire Hardwick | ... | Joanna | |
| Lars Jorgenson | ... | Bruno | |
| John Karlsen | ... | Heinrich | |
| Katherine Bell Marjorie | ... | Heinrich's Wife | |
| Riccardo Minervini | ... | Schoolboy | |
| Enrico Osterman | ... | The Torturer | |
| Micaela Pignatelli | ... | Fashion shoot photographer | |
| Patrizia Punzo | ... | Miss Brückner | |
| John Richardson | ... | Architect | |
| Matteo Rocchietta | ... | Younger Schoolboy | |
| rest of cast listed alphabetically: | |||
| Michele Soavi | ... | 1st Policeman at Lisa's House (uncredited) | |
Directed by | |||
| Michele Soavi | |||
Writing credits(in alphabetical order) | ||
| Nick Alexander | dialogue: English version | |
| Dario Argento | story and screenplay | |
| Fabrizio Bava | prologue (uncredited) | |
| Lamberto Bava | uncredited | |
| Franco Ferrini | story and screenplay | |
| M.R. James | story "The Treasure of Abbot Thomas" (uncredited) | |
| Dardano Sacchetti | uncredited | |
| Michele Soavi | screenplay | |
Produced by | |||
| Dario Argento | .... | producer | |
| Mario Cecchi Gori | .... | producer | |
| Vittorio Cecchi Gori | .... | producer | |
Original Music by | |||
| Keith Emerson | |||
| Philip Glass | |||
| Goblin | |||
| Fabio Pignatelli | |||
Cinematography by | |||
| Renato Tafuri | |||
Film Editing by | |||
| Franco Fraticelli | |||
Production Design by | |||
| Massimo Antonello Geleng | |||
Costume Design by | |||
| Maurizio Paiola | |||
Makeup Department | |||
| Laura Borselli | .... | makeup artist | |
| Franco Casagni | .... | makeup artist | |
| Piero Cucchi | .... | hair stylist | |
| Assunta Emidi | .... | hair stylist | |
| Rosario Prestopino | .... | makeup artist | |
Production Management | |||
| Giuseppe Mangogna | .... | executive in charge of production | |
| Saverio Margogna | .... | unit manager | |
| Ezio Orita | .... | production secretary | |
Second Unit Director or Assistant Director | |||
| Filiberto Fiaschi | .... | assistant director | |
Art Department | |||
| Fabio Altamura | .... | props | |
| Daniela Giovannoni | .... | assistant set designer | |
| Osvaldo Monaco | .... | props | |
| Barbara Morosetti | .... | assistant designer: special scenic creations | |
| Caterina Napoleone | .... | set dresser | |
| G.P. Postgione | .... | set furnishing | |
| Antigone Predatori | .... | carpenter | |
| E. Rancati | .... | set furnishing | |
| E. Rancoti | .... | set furnishing | |
| Sergio Stivaletti | .... | special scenic effects | |
| Aldo Taloni | .... | set construction chief | |
| E. Tappezzeri | .... | carpenter | |
Sound Department | |||
| Luca Anzellotti | .... | sound effects editor | |
| Luciano Anzellotti | .... | additional sound effects (as L. Anzellotti) | |
| Massimo Anzellotti | .... | additional sound effects (as M. Anzellotti) | |
| Mauro Anzelotti | .... | additional sound effects soundtrack | |
| Claudio Paolucci | .... | boom operator | |
| Giulio Viggiani | .... | production sound mixer | |
Special Effects by | |||
| Renato Agostini | .... | special effects | |
| Danilo Bollettini | .... | special effects | |
| Massimo Cristofanelli | .... | special effects | |
| Danilo Del Monte | .... | special makeup effects assistant | |
| Sergio Stivaletti | .... | special effects | |
Visual Effects by | |||
| Aldo Mafera | .... | titles & opticals | |
Stunts | |||
| Arnaldo Dell'Acqua | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Alessandro Carlotto | .... | camera operator | |
| Maurizio Cremisini | .... | assistant camera (as Maurizio Cremesini) | |
| Enrico Maggi | .... | camera operator | |
| Fernando Massaccesi | .... | gaffer | |
| Nicola Pecorini | .... | Steadicam operator | |
| Augusto Proietti | .... | key grip | |
| Alfonso Vicari | .... | assistant camera | |
| Franco Vitale | .... | still photographer | |
Costume and Wardrobe Department | |||
| Claudio Antonucci | .... | wardrobe assistant | |
| Carla Latini | .... | dress maker | |
Editorial Department | |||
| Piero Bozza | .... | first assistant editor | |
| Roberto Priori | .... | second assistant editor | |
Music Department | |||
| Max Carola | .... | composer: additional music | |
| Max Carola | .... | conductor | |
| Martin Goldray | .... | musician: synthesizer, Philip Glass pieces | |
| Massimo Morante | .... | musician (as Goblin) | |
| Fabio Pignatelli | .... | musician (as Goblin) | |
Other crew | |||
| Marisa Calia | .... | continuity | |
| Carlo Cestari | .... | paymaster | |
| Carlo Du Bois | .... | production accountant | |
| Maurizio Garrone | .... | animal trainer | |
| Claudio Lattanzi | .... | assistant to director | |
| Enrico Lucherini | .... | unit publicist | |
| Enzo Orita | .... | production secretary | |
| Grunwald Martino P. | .... | animal supplier | |
| Gianluca Pignatelli | .... | unit publicist | |
| Daniela Rocco | .... | production secretary | |
| Marco Stefanelli | .... | animal supplier | |
| Sergio Stivaletti | .... | special scenic creations | |
| Antonella Villanti | .... | bookkeeper (as Antonella Villaniti) | |
|
|
|
|
|
| Demons | Indiana Jones and the Temple of Doom | Amityville II: The Possession | Dracula A.D. 1972 | The Exorcist |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Italy section |
On paper, "The Church" appears to have a winning formula. Its pedigree consists of direction by Argento protégé Michael ("Dellamorte Dellamore") Soavi, input from the master, Dario Argento, in both writer and producer roles, a soundtrack by the likes of Goblin and Keith Emerson, and a capable cast.
Despite this, the film is a hesitant recommendation. For me, it doesn't quite gel. It's a little like "Demons" but without the cheesy charm and outrageous pace (it comes as little surprise that this film was almost named "Demons 3"). I didn't expect a brilliant plot but the film is genuinely clunky and makes the unforgivable error of actually losing tension and descending into boredom territory. I found myself clock watching at more than one interval during the proceedings. There are some excellent set-pieces, though, the best of which uses a simple windscreen to glorious effect. Also, fans of rubbery demons (of which I count myself as one) will not be disappointed.
Despite the talent involved, the soundtrack manages to be a little overpowering and repetitive.
Turning to the cast, Asia Argento fans will be able to see her in one of her earliest roles, before she became one of cinemas true "bad girls". The excellent Hugh Quarshie (genre fans will know him as the immortal Kastagir from "Highlander" and Panaka from the dreadful "Phantom Menace" but UK television viewers will know him as Ric Griffin from "Holby City") is a solid lead.
The film's worth watching if you're a fan of Italian supernatural horror. It's not for everybody, though. Aside from "Suspiria", "Demons" is probably a stronger bet for the newcomer than this offering. As a little Jedi would say, "Strong visuals alone do not good films make!"