A beautiful film which is basically about a man, a piano player, who meets and falls in love with a beautiful and voluptuous woman, who, by some strange procedure, leaves the man unable to ... See full summary »
A wonderful fairy tale of the misadventures of a beautiful but temperamental Neapolitan peasant, Isabella, when she meets the ill- tempered Spanish Prince Rodrigo Ferrante y Davalos. The ... See full summary »
The film celebrates the 100th anniversary of the birth of cinema. It presents the technical and artistic evolution of the motion pictures. We move from mute to sound, from black-and-white ... See full summary »
Back home, Glauco, an industrial designer, finds his wife in bed with a serious headache. She has left him dinner but it is cold and Glauco decides to prepare himself a gourmet meal. While ... See full summary »
Roberto has a new job as the teacher at a nursery school. The first child he meets is Gianluigi, who's mute. Roberto is spirited, bringing a TV into class, then a donkey. He takes children ... See full summary »
Adelina, a former "Miss Smiles" beauty queen, is a resident at a senior citizen retirement home. Her joie de vie and unfaded beauty make her attractive to the male residents, especially Andrea, a dapper and charming but married septuagenarian. Their initial mutual attraction evolves into physical desire, but their families and the conservative culture of the institution conspire against their consummating their love. Written by
A man and woman meet at the hospice they both inhabit, and fall in love... but find their amorous exploits frowned upon by their families, the staff, and even some of their peers. Like MAKE WAY FOR TOMORROW and its descendant TOKYO STORY, this movie touches on how we treat our elderly. But it adds an element that neither of those films could address: sexuality. Marco Ferreri (himself in his mid-60's at the time and surely starting to think about these issues) makes a stand for a senior citizen's right to intimacy, privacy, dignity and vanity. It's a warm and funny film, done with great sensitivity and sharp humor. Occasionally the comedy gets a little broad, but I loved touches like the contrast provided by the silly, lurid soap opera on the television. Ingrid Thulin (in her final on screen role, and what an inspired bit of casting) and Dado Ruspoli make a charming couple, Thulin especially is an absolute joy to watch. I also loved the African immigrants who provide our protagonists with their only safe haven. And such a bittersweet melancholy to the ending. Another win for Ferreri.
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