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Camille Claudel (1988)

Biography of Camille Claudel. Sister of writer Paul Claudel, her enthusiasm impresses already-famous sculptor Auguste Rodin. He hires her as an assistant, but soon Camille begins to sculpt ... See full summary »

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(based on the book by), (scenario and dialogue) | 2 more credits »
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Nominated for 2 Oscars. Another 7 wins & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Louise-Athanaise Claudel
Laurent Grévill ...
Philippe Clévenot ...
...
Jessie Lipscomb
Maxime Leroux ...
Danièle Lebrun ...
Jean-Pierre Sentier ...
Limet
Roger Planchon ...
Morhardt
Aurelle Doazan ...
Louise Claudel
Madeleine Marie ...
Victoire
Alain Cuny ...
Louis-Prosper Claudel
Gérard Beaume
Martin Berléand ...
Robert
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Storyline

Biography of Camille Claudel. Sister of writer Paul Claudel, her enthusiasm impresses already-famous sculptor Auguste Rodin. He hires her as an assistant, but soon Camille begins to sculpt for herself and for Rodin. She also becomes his mistress. But after a while, she would like to get out of his shadow... Written by Yepok

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R | See all certifications »

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Details

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Release Date:

21 December 1989 (USA)  »

Also Known As:

Camille Claudel  »

Box Office

Gross:

$201,055 (USA)
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Technical Specs

Runtime:

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Color:

(Fujicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Alain Cuny who plays Camille and Paul Claudel's father actually met Paul Claudel in 1944, the poet and dramatist personally chose him to play Pierre de Craon in his play: The Tidings Brought to Mary. See more »

Quotes

Camille Claudel: [to Auguste Rodin] You stole it all! My youth, my work! Everything!
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Connections

Featured in The 62nd Annual Academy Awards (1990) See more »

Soundtracks

Impromptu E-flat major, D.899-2
Composed by Franz Schubert
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User Reviews

A Celebration Of A Mourning
12 February 2008 | by See all my reviews

While and after seeing Camille Claudel, one wonders if one should celebrate the artist that could have been, or rather mourn the moronic hypocrites populating her world. A world whose Marquesean death was foretold.

Almost everyone played by the supporting cast displayed (or tried to hide) how acutely and incurably they were suffering with diseases, physical and mental. With the sole and occasional exception of her father, everyone else treated the artist in a less than human manner. Despot mother, Hypocrite brother, Deceitful love! What real treasures had this Genius woman of her times to cope with! To top it all she happened to be living in such a dysfunctional society which years later, a great filmmaker and artist of the same nation, Jean Renoir, was to label as "corrupt to the core". Amen to Renoir. This film like most any other film depicting the real dilemma of a society, makes one pay an additional salute to his Le Regle Du Ju.


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