9 items from 2017
Sundance goes online in July, with a trio of buzzy, well-reviewed indie pictures from the festival surfacing on streaming sites. Meanwhile, Netflix drops a star-studded dramedy, a cult video-game series adaptation awash in blood and Jason Bateman breaking bad; Amazon presents both an original F. Scott Fitzgerald adaptation; and Shudder offers a tour of the unhinged, psychotronic mind of Flying Lotus. You need a guide to July's streaming highlights? Boom. We've got your back.
Altered States (Hulu, July 1st)
During the Sixties, scientist John C. Lilly was a pioneer on the frontier of consciousness, »
Friendly exes alert! Susan Sarandon and Tim Robbins reunited Tuesday, eight years after their split, and dined with their son Jack Robbins, 28, and two other people in Venice, California. The whole group was later spotted walking down the street together. The actress carried a dog during their outing. Sarandon, 70, and Robbins, 58, began dating in the late '80s after meeting on the set of the film Bull Durham and split in 2009. They also share son Miles, 24. In 2014, Sarandon told Aarp the Magazine that her role in the Broadway play Exit the King made her reevaluate her relationship with Robbins. "You can't do a »
When I was younger I would go to double features at the movies all the time; sometimes, even a triple feature. It was good value for the money; two movies for the price of one. We also had what was called second run theaters. These were more the neighborhood, smallish theaters that would show films after they had been in the larger theaters. There were even venues that would show old movies and change the program daily. This was before tapes or CDs were out and often were the only way to see old movies on a big screen (as God and Cecil B. DeMille intended).
Often the films were chosen randomly but every once in a while you’d get someone booking the films who knew what they were doing. I first saw Casablanca in a double bill with Play It Again, Sam, written and starring but not directed by Woody Allen. »
- John Ostrander
21 April 2017 8:52 AM, PDT | The Hollywood Reporter - Movie News | See recent The Hollywood Reporter - Movie News news »
As the movie baseball season continues in full swing, Universal's Field of Dreams, formerly Shoeless Joe, takes its turn at bat with Kevin Costner once again in the cleanup position. Based on Costner's all-star, behind-the-plate performance last summer in Bull Durham, look for a full grandstand of both men and women at Dreams' opening weekend.
- THR Staff
Growing up in the basketball-crazy early ’90s, Ron Shelton’s White Men Can’t Jump was iconic long before I took the time to actually sit down and watch it: the title (that font stretching!), the baggy tanks and starched casquettes, the deadpan visages of Woody Harrelson and Wesley Snipes all but daring me to rent the movie every time I saw the VHS. Starring the duo as pickup basketball players who combine forces in an uneasy con-alliance, Shelton’s followup to Bull Durham is a stone cold classic: a big-hearted buddy comedy of dazzling cinematographic musculature, the camera bobbing and weaving cross-court […] »
- Steve Macfarlane
Author: Dave Roper
Actors, Writers, Directors, they all have their part to play and all have their echelons of excellence. For every Scorsese working at the top of their game, there’s a journeyman like Peter Berg and then a hack like McG (sorry to any McG fans out there). It’s all (obviously) much the same with the greatest actresses too – some consistently hit high notes, others work faithfully but perhaps unexceptionally and others struggle to ever escape derivative and low-brow work. Here are a few who fall squarely in the first group.
Susan Sarandon is often underappreciated and underrated for her versatility. Consider the contrast between her campaigning, gracious nun in Dead Man Walking, her feisty southerner in Thelma & Louise, her boo-hiss Queen in Enchanted, the comparative gentleness (but definitely not blandness) of her roles in Robot & Frank and Elizabethtown and the oomph »
- Dave Roper
With the news that White Men Can’t Jump will be … can’t jumping back into theaters courtesy of Kenya Barris, who created ABC’s hit Black-ish, we thought it would be a good opportunity to revisit some facts about the original 1992 film, starring future True Detective Woody Harrelson and future vampire hunter Wesley Snipes.
Washington turned the film down to do Malcolm X, and despite demonstrating his athleticism later in The Matrix, Reeves was apparently so uncoordinated on the court that he “almost broke my neck going up for a layup, »
Simon Brew Jan 18, 2017
We know that nothing cheers you all up like a story of a remake of a film you like, so let us take a minute to assume the position before we pass this nugget on.
Yep, the 1992 basketball comedy White Men Can’t Jump, starring Wesley Snipes and Woody Harrelson, is now in line for a big screen do-over. It’s in the hands of Kenya Barris, the creator of Black-ish, and 20th Century Fox is backing the project, as it did the original.
Instead, Kenya Barris will both produce the project and pen the new screenplay. »
While NBA superstar LeBron James continues to develop a long-gestating sequel to Space Jam, another current NBA star is working on a new basketball-themed remake. Black-ish creator Kenya Barris is teaming up with the NBA's Blake Griffin and NFL star Ryan Kalil for a remake of the 1992 comedy film White Men Can't Jump. While the title for the original is actually a line in the film, delivered by Wesley Snipes' Sidney Deane to Woody Harrelson's Billy Hoyle, about his inability to dunk, it's quite ironic that Blake Griffin is producing, since he is a white man that can jump, winning the NBA Slam Dunk contest in 2011.
The Hollywood Reporter reveals that Kenya Barris will write the screenplay and produce this sports remake, which will fall under the overall deal he signed with 20th Century Fox last September. Blake Griffin and Ryan Kalil will produce under their Mortal Media company, »
9 items from 2017
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