A fan who has an affair with one minor-league baseball player each season meets an up-and-coming pitcher and the experienced catcher assigned to him.



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Nominated for 1 Oscar. Another 7 wins & 4 nominations. See more awards »
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Cast overview, first billed only:
David Neidorf ...
Danny Gans ...
Tom Silardi ...
Lloyd T. Williams ...
Mickey (as Lloyd Williams)
Rick Marzan ...
Nuke's Father
Gregory Avellone ...
Doc (as Greg Avelone)
Garland Bunting ...
Teddy - Radio Announcer (as Carey 'Garland' Bunting)


Crash is an aging minor league ball player, brought up from another team to mature a young pitcher with maturity problems. Both of them become involved with Ann, a baseball groupie with her own perspective on the game. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Plot Synopsis


A Major League Love Story in a Minor League Town See more »


Comedy | Romance | Sport


R | See all certifications »

Parents Guide:



Official Sites:



Release Date:

15 June 1988 (USA)  »

Also Known As:

Annies Männer  »

Filming Locations:


Box Office


$7,000,000 (estimated)


$50,888,729 (USA)

Company Credits

Production Co:

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Technical Specs


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Aspect Ratio:

1.85 : 1
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Did You Know?


Early in the film Kevin Costner's character states that he thinks Lee Harvey Oswald acted alone. A few years later he would star in JFK (1991), whose protagonist believes Oswald did not act alone and was possibly a fall guy for the Kennedy assassination. See more »


After an opposing batter tees off on a pitch, the ball is clearly visible in Crash's glove See more »


[first lines]
Annie Savoy: [narrating] I believe in the Church of Baseball. I've tried all the major religions, and most of the minor ones. I've worshipped Buddha, Allah, Brahma, Vishnu, Siva, trees, mushrooms, and Isadora Duncan. I know things. For instance, there are 108 beads in a Catholic rosary and there are 108 stitches in a baseball. When I learned that, I gave Jesus a chance. But it just didn't work out between us. The Lord laid too much guilt on me. I prefer metaphysics to theology. You see, there's ...
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Non, je ne regrette rien
Music by Charles Dumont
Lyrics by Michel Vaucaire
Performed by Édith Piaf
Courtesy of EMI-Pathe Marconi
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User Reviews

A diamond in the rough
19 May 2002 | by (United States) – See all my reviews

(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon.)

I thought I read the book, or at least I dreamed it, but this is NOT adapted from something by Larry McMurtry, although it sure seems like it oughta be. It is one hell of a funny, crafty, too real for life, kind of movie. The brilliant script, full of clever one-liners, was written by Ron Shelton (White Men Can't Jump (1992)), who actually played minor league ball in the Orioles farm system. Shelton also directed and did a bang-up job. This is a funny movie that is really funny.

What I recalled (when I found out this wasn't from Larry McMurtry) was a baseball novel for juniors that I had read when I was a kid about a crafty, veteran minor league catcher who had once made it to the big leagues but got beaned and never got over it, always bailing out from an inside curve ball. (This was in the days before batting helmets.) He fell back to the minors and went from team to team and town to town, hitting a ton until somebody figured out that his knees would buckle if you brushed him back a bit, and then he'd have to move on. Kevin Costner's part reminds me of that guy (without the beaning phobia).

Susan Sarandon plays Annie Savoy, a baseball groupie in her sexual prime who likes to read poetry and give the players hitting advice. She is just wonderful as she plays sexy mom to the boys, a new one every summer, just so she can avoid any kind of real relationship or commitment. And so along comes Crash Davis (Kevin Costner, one of the more underrated and less flashy stars of our time), playing an itinerant catcher who has managed to hit nearly 300 minor league home runs. He is tough and savvy and once made it to the Show for 21 days. Tim Robbins plays Ebby Calvin "Nuke" "Meat" LaLoosh, a not too bright, wild-armed phenom who needs more than a little guidance. He gets a lot from both Crash and Annie, who are intent on schooling him in their differing expertise. Nuke is just the hunk Annie needs to keep her from falling in love with Crash, but...well, this is a romantic comedy, so you can be sure that love will find a way.

The baseball shtick and the interior dialogues of Robbins and Costner during the games ("Why's he want the heat? I wanna throw the deuce..." And, "Don't think, ... Get that...woman out of your head--Time out!") are really funny, and the bit where Robbins shakes him off and Costner, as an object lesson for his young pitcher, tells the batter what's coming next allowing the batter to hit it out of the park (or onto the Bull Durham sign to win a free steak dinner--is this genuine Americana or what?) are a crack up. But also great are the scenes with Sarandon as she philosophizes ("I believe in the Church of Baseball") and wise-cracks her way through the boys of summer, especially the scene where she ties Nuke up in bed and reads him some Walt Whitman. Now THAT really tires the boy out! Another great scene is on the bus when Crash lets the other players know that he once made it to the bigs where "...you hit white balls for batting practice and the ballparks are like cathedrals." Beautiful.

Best dead-pan one-liner is when Crash catches Nuke in the locker room trying to adjust the panty hose girdle that Annie has talked him into wearing under his uniform: "The rose goes in the front, big guy."

By the way, the great rock and roll soundtrack includes the galvanizing baseball song, "Brown-Eyed Handsome Man" by John Fogerty of Creedence Clearwater Revival fame. (Or maybe the title's "In Center Field": "Put me in coach. I'm ready to play, today, in center field.")

It's a shame that Shelton did not win the Oscar for this script, it's really that good. (Ronald Bass won for Rain Man.) The characters are just fascinating and full of life, and not just the three leads. The bit players are funny too, including the hard-talking, middle-brained manager, the mindless pattering coaches, the sweet young groupie girl who makes it with all the players as fast as she can. Even the team clown is good.

The irreverent characterizations, the sweet story, the realistic atmosphere of baseball in small town America (only slightly burlesqued), and some fine acting all rolled together make this one highly diverting little film, actually one of the best baseball films ever made. See this with your best babe. She'll like it as much as you.

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