A man and a woman go out on a "big" third date. He's ashamed to admit he just lost his job, and she's afraid he'll run away if he finds out that she has a kid. Small lies lead to bigger ones and the night gets crazy very soon.
In small-town Texas, high school football is a religion. The head coach is deified, as long as the team is winning and 17-year-old schoolboys carry the hopes of an entire community onto the... See full summary »
James Van Der Beek,
Crash is an aging minor league ball player, brought up from another team to mature a young pitcher with maturity problems. Both of them become involved with Ann, a baseball groupie with her own perspective on the game. Written by
John Vogel <firstname.lastname@example.org>
In their confrontation outside the bar, Crash tells Nuke, "I hear you couldn't hit water if you fell out of a fucking boat." Dodgers manager Tommy Lasorda said this in 1984, in reference to weak-hitting San Diego Padres infielder Kurt Bevacqua. See more »
The first scene where we see Annie driving a car is the scene where the bus is leaving the parking lot. Annie waves and gets into a brown mid 1980s two door Pontiac Sunbird. But we never see the Pontiac Sunbird again in the movie. Suddenly, later in the movie, she is driving the old blue Volvo, which remains the car she drives throughout the rest of the movie. See more »
Last chance. Your place or mine?
Despite my rejection of most Judeo-Christian ethics, I am, within the framework of the baseball season, monogamous.
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Crash Davis loves baseball more than it loves him. He believes in the game. He deserves to be in the show, but he isn't and never will be. But still he plays on, dutifully and to a certain extent, joyfully. Better to play crappy A-ball than sell shoes.
That for me is the central theme of this film. It is all summed up when Crash tells Nuke, the wild young star pitcher "You don't respect yourself. That's your problem. You don't respect the game. That's my problem."
Take a player that passionate, and a youngster that annoying, add in a sexy yet maternal fan and you have great comedy. Bull Durham works scene after scene, because the film never forgets that baseball is what binds all the characters together.
Tim Robbins is nothing short of brilliant and Nuke Laloosh, the rising star youngster who walks 18 batters and strikes out 18 batters in his first minor league appearance - both league records. But Nuke is caught up in his fat contract, his Porsche, and his endless parade of women. Baseball is a sideline. Eventually, Crash's mentoring begins to pay off until he finally realizes that winning is "like, you know, better than losing!"
The love triangle between Annie (Susan Sarandon), Crash and Nuke is wonderful and funny, but it mainly provides us with set up for the baseball scenes, like when Sarandon convinces Nuke to wear women's underwear while he pitches. Or my favourite scene, when Annie and Crash take batting practise together, Annie dressed like she is ready for a wedding, but determined to correct Crash's swing. Crash is determined to take Annie home. They flirt and practice batting in one of the best prolonged foreplay scenes ever filmed.
The ending is satisfying but the real depth of this film is harmony that the game brings to the characters. **** out of ****.
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