It is nearly a generation since we've visited Dobie Gillis, and the middle-aged Dobie is nothing like he was as a youth, having has sown all of his wild oats. He's settled into the ... See full summary »
An Angel Level 1 named George Burns wants to be reunited with his long lost love, Gracie Allen, who resides at Level 6. In order to do so he is sent on a mission by God to save a big time ... See full summary »
Loretta Dalrymple, a homely young country girl comes to New York City and gets a job as a chambermaid in a large hotel. She meets Ed Olson, a photographer out of work, and Dan Riley, a ... See full summary »
The romantic misadventures of Bob Collins, a suave, sophisticated bachelor and photographer operating in Hollywood, California. The show centers around his womanizing ways with his models, and his sister's attempts to make him settle down.
Ann B. Davis,
Grainbelt University has one attraction for Dobie Gillis - women, especially Pansy Hammer. Pansy's father, even though and maybe because she says she's in dreamville, does not share her ... See full summary »
It is nearly a generation since we've visited Dobie Gillis, and the middle-aged Dobie is nothing like he was as a youth, having has sown all of his wild oats. He's settled into the predictable adult life, married to the reliable Zelda (who was chasing him all through high-school), and assumed his father's role of running the family variety store. All of a sudden, key industries in the town shut down, putting hundreds out of work and severely threatening the local economy. Dobie, as head of the town council, is looked upon to lead the town out of this desperate crisis. When all seems lost, life-long friend Maynard G. Krebs appears, representing an old acquaintance who has a strange demand. Written by
Stewart M. Clamen <email@example.com>
This is Durenmatt's 'The Visit' brilliantly adapted to the Dobie Gillis world
Unlike most sit-com reunions which are overly sentimental and sappy, 'Bring Me the Head of Dobie Gillis' is a somewhat less dark interpretation of Durenmatt's thesis that money can buy anything. And while in the end Dobie is left alive, the thesis is also alive and well at the end of the movie. The attempt is bold and audacious, not completely successful, and enthralling. Even Connie Stevens acquits herself with grace. The old sit-com relationships are also revisited with considerable irony for those familiar with the original show. I recommend this film to anyone with an interest in 20th century theatre (particulary if they also enjoy Dobie Gillis). It's thought- provoking, audacious, and outrageously funny.
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