A young kid from Kansas moves to New York to work on a magazine. He gets caught up in the world of drink and drugs, and starts a steady decline. The only hope is the cousin of one of his drinking partners, can she pull him through it ? Written by
Colin Tinto <email@example.com>
In a 2011 interview with "The A. V. Club," David Hyde Pierce said that it cost him more to join the film actors' union (so that he could appear in this movie) than he was paid for his role, so he had to borrow the dues money from his agent. His character's name was "Bartender at Fashion Show," and his one line was, "Sorry, the bar is closed." See more »
During Jamie's story of his relationship with Amanda to Megan his wineglass goes from half-full to empty in less than two seconds, while he's speaking. See more »
I remember the ads for this film on TV when it came out, and it seemed appealing to me then, even though I did not see it until recently on video. I must say this is not a bad film by any means, and has quite a bit to say about the struggles of young adults trying to "find their place" in the world. It seems to me to be sort of the father of "Trainspotting" in several ways (drugs, youth struggling with identity in society, narration, etc.), although not nearly as elaborately produced, there are some pretty decent elements of style incorporated some of which work well, some not so well.
Frankly I was surprised this was a Hollywood picture. The subject matter is not something that one would think people would flock to see, but maybe the producers thought it might be a new kind of "Breakfast Club" type film. Who knows, but it was an interesting risk that didn't pan out, as I do not recall this being a very successful film at the box office, but I admire the attempt at bringing it to a wide audience.
Some of the scenes seem a bit awkward, like the opening of the film at the former, great, NYC club, The Paladium, and the ferrit scene towards the end, and the confrontations with Pheobe Kates. However one has to wonder if this was intentional, because of the film makers' apparent desire to show that in "reality" things are not always so comfortable.
Overall a film worth one's time, if you keep your mind open a little bit. This is not Hollywood fluff, but it isn't a Lions Gate release either. I think Michael J Fox also deserves a lot of credit for doing "Bright Lights, Bit City" because this was the height of his career and to take on such a risk and a challenging as an actor should be commended. The movie is a pretty good attempt at handling a subject that is a reality for many youth. I think this audience is the one who would have most use out of such a film so if you fit in that category, it's worth your time.
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