A gang of pirates rape the two sole survivors of a ship wreck. The violated girls are rescued by the strange inhabitants of a supposedly haunted island, where they are granted supernatural powers to strike revenge against the pirates.
Zurich, 1958. The young teacher Ernst Ostertag falls head over heels in love with the transvestite star Robi Rapp and finds himself torn between his bourgeois existence and his commitment ... See full summary »
Surrounded by wealth and living with abundant resources in Manhattan, 12-year-old cello prodigy Reggie, lives a solitary life lacking only frequently absent parents and friends. Estranged from family, having slacker boyfriend troubles, and fired from her waitressing job, sometimes musician 23-year-old Eleanor needs a new place to live and a new job.
The prostitute Liz works on the streets of Los Angeles. She recalls her life in flashback, when she marries an alcoholic man. She leaves him with their son. Then she works as waitress in a ... See full summary »
When Ricky Miller, a single, quiet 40-year old aspiring writer and manager of Debbie's (think Denny's) and probably the last person you'd notice in a crowd is 'hit by lightning' and meets ... See full summary »
A film that follows Ryan Giggs through the 2013/14 Premiership season, as the greatest ever Manchester Utd player became the clubs manager and allowed unprecedented access behind the scenes at Old Trafford.
Diego Armando Maradona
Melodramatic Treatment of Tired Themes Provides Nothing Tangible of Interest.
Tom Garfield (John Waters) has attained such success as playwright and screenwriter that he is immediately recognized wherever he may be, yet the Australian becomes aware that his early dreams (although they probably were about his being just as famous as he is) have been abandoned because he has given up his "soul" to irritating (albeit well-paying) demands from Hollywood and New York producers, and he returns to Melbourne in an attempt to recapture the affections of his wife and young daughter. However, reinstating himself within his small family will not be readily managed as his spouse Helen (Penelope Stewart) resists his emotional appeals and, after ostensibly having overcome alcoholism, Tom now must combat painful terminal cancer that is purportedly limiting his life to a further six months, although by rights a viewer cannot feel greatly supportive of his struggle since he smokes constantly throughout the film during his efforts to relocate the early cravings of his "soul", whatever they may be (they are not revealed by the dialogue). Director Pino Amenta's background with television series is apparent for this wan melodrama that unaccountably was nominated for seven Australian Film Institute Awards, winning two, in spite of its trite screenplay and bottom tier production values, additionally being hampered by a weakly composed, didactic (virtually prescriptive) score, along with a lack of fluidity and cinematic flair, most scenes being depressingly predictable as the work wends its way to a groaningly hackneyed conclusion confiscated from the archives belonging to the genre of soap opera.
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