Lenny Brown moves to California to find his fortune in tax shelter investments. When the federal government changes the tax laws, poor Lenny finds himself $700,000 in hock with nowhere to ... See full summary »
Lenny Brown moves to California to find his fortune in tax shelter investments. When the federal government changes the tax laws, poor Lenny finds himself $700,000 in hock with nowhere to turn. His friend, Joel, introduces him to cocaine to give Lenny that needed "boost". What ensues next is a descent into drug addiction and insanity as Lenny tries to regain control of his life, all the while needing that extra "boost". Written by
When Lenny and Linda are in the pool, we see Linda from behind, and her wet hair is completely swept back behind her right ear, but as the camera angle changes to a front view, her right ear is now half-covered with wet hair. See more »
I'm not gonna SIT here and watch you KILL yourself!
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Most people say James Woods best might be "The Onion Field," or maybe "Once Upon a Time in America," or possibly "Salvador." But this gets my vote for the best work in his career, as he's an absolute powerhouse. He plays Lenny, an ambitious businessman who gets his chance to move to L.A., live in a kick ass house, own great cars, and obviously make amazing money. But then the hole falls through his tax shelter venture and he's left with nothing. But he finds new life with cocaine, the thing he thinks makes him more aggressive and will get him back on top. Instead he and his wife keep heading down, unbelievably down in utterly convincing, strongly developed scenes. The houses get smaller, the money gets scarcer, and Lenny gets more near death. Woods' best scene ever, in my opinion, occurs in this movie, when he violently explodes during a business dinner, totally ruining any chances he had. The way he so quickly says his lines, is amazing. He's incredibly wired throughout the moment and its awesome to watch. The only downside for me is the end of the film, which doesn't lead to a redemption for Lenny. Woods is still as strung out as ever, and has a terrific final moment as he reads directly into the camera the pain his character is still feeling. So despite a downer (no pun) of a finish, this is still great storytelling, with James Woods at his strongest.
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