A group of scientists have developed the Resonator, a machine which allows whoever is within range to see beyond normal perceptible reality. But when the experiment succeeds, they are immediately attacked by terrible life forms.
A man tries to uncover an unconventional psychologist's therapy techniques on his institutionalized wife, while a series of brutal attacks committed by a brood of mutant children coincides with the husband's investigation.
The residents of a suburban high-rise apartment building are being infected by a strain of parasites that turn them into mindless, sex-crazed fiends out to infect others by the slightest sexual contact.
Remake of the 1958 horror sci-fi about a deadly blob from another planet which consumes everyone in its path. Teenagers try in vain to warn the townsfolk, who refuse to take them seriously. Written by
The film, co-written by Frank Darabont - who has adapted a number of Stephen King's works for the screen - contains several references to King's novel 'The Stand':
In the novel, a viral "superflu" is engineered by the U.S. government in a biological weapons laboratory that is accidentally unleashed, resulting in a worldwide pandemic; in the film, the blob is likewise the result of experiments in biological warfare accidentally unleashed by the government. Additionally, though the government agents know the blob's true nature, they tell the citizens of Asheville that they are dealing with a highly contagious disease.
Kevin Dillon plays Brian Flagg; the demonic Randall Flagg appeared in several of King's novels, making his first appearance in THE STAND.
The blob's first victim, the homeless man, is credited as "Can Man," a reference to the STAND character "Trash Can Man." Trash Can Man was Randall Flagg's most devoted follower; in this film, Can Man shares nearly all his scenes with Brian Flagg.
"Better than the original?" not really relevant, its just "different!"
Given the 30 years gap between the two films....it certainly isn't "thirty years better"..... just 30 years different!
Certainly a good attempt at a remake but not within a bull's roar of John Carpenter's THE THING which blew the original out of the water! (Why, so many climed on its back I could never fathom!)
Dillon does an exemplarary job in an "I'm angry with everyone" McQueen reprise. Part LOST BOYS part EASY RIDER, Dillon handles the Blob pretty well. Lots of people die, some you might not expect but hey, like ET its the Government's fault again isn't it? Anyway, all the bad guys get their come-uppance, so no problem! Neat little ending too. Shame no movie producer has capitalised on it!
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