| Photos (See all 14 | slideshow) |
| Forest Whitaker | ... | Charlie 'Bird' Parker | |
| Diane Venora | ... | Chan Parker | |
| Michael Zelniker | ... | Red Rodney | |
| Samuel E. Wright | ... | Dizzy Gillespie | |
| Keith David | ... | Buster Franklin | |
| Michael McGuire | ... | Brewster | |
| James Handy | ... | Esteves | |
| Damon Whitaker | ... | Young Bird | |
| Morgan Nagler | ... | Kim | |
| Arlen Dean Snyder | ... | Dr. Heath | |
| Sam Robards | ... | Moscowitz | |
| Penelope Windust | ... | Bellevue Nurse | |
| Glenn Wright | ... | Alcoholic Patient (as Glenn T. Wright) | |
| George Orrison | ... | Patient with Checkers | |
| Bill Cobbs | ... | Dr. Caulfield | |
| Hamilton Camp | ... | Mayor of 52nd Street | |
| Chris Bosley | ... | First Doorman | |
| George T. Bruce | ... | Second Doorman | |
| Joey Green | ... | Gene | |
| John Witherspoon | ... | Sid | |
| Tony Todd | ... | Frog | |
| Jo De Winter | ... | Mildred Berg (as Jo de Winter) | |
| Richard Zavaglia | ... | Ralph the Narc | |
| Anna Levine | ... | Audrey | |
| Al Pugliese | ... | Owner - Three Deuces | |
| Hubert Kelly | ... | Wilson | |
| Billy J. Mitchell | ... | Prince (as Billy Mitchell) | |
| Karl Vincent | ... | Stratton | |
| Lou Cutell | ... | Bride's Father | |
| Roger Etienne | ... | Parisian Emcee | |
| Jason Bernard | ... | Benny Tate | |
| Gretchen Oehler | ... | Southern Nurse | |
| Richard McKenzie | ... | Southern Doctor | |
| Tony Cox | ... | Pee Wee Marquette | |
| Diane Salinger | ... | Baroness Nica | |
| Johnny Adams | ... | Bartender | |
| Natalia Silverwood | ... | Red's Girlfriend | |
| Duane Matthews | ... | Engineer | |
| Slim Jim Phantom | ... | Grainger | |
| Matthew Faison | ... | Judge | |
| Peter Crook | ... | Bird's Lawyer | |
| Alec Paul Rubinstein | ... | Recording Producer | |
| Patricia Herd | ... | Nun | |
| Steve Zettler | ... | Owner - Oasis Club | |
| Ann Weldon | ... | Violet Welles | |
| Charley Lang | ... | D.J. at the Paramount | |
| Tim Russ | ... | Harris | |
| Richard Jeni | ... | Morello | |
| Don Starr | ... | Doctor at Nica's | |
| Richard Mawe | ... | Medical Examiner | |
| rest of cast listed alphabetically: | |||
| Jim Lane | ... | Reporter at Funeral (uncredited) | |
Directed by | |||
| Clint Eastwood | |||
Writing credits(WGA) | ||
| Joel Oliansky | (written by) | |
Produced by | |||
| Clint Eastwood | .... | producer | |
| David Valdes | .... | executive producer | |
Original Music by | |||
| Lennie Niehaus | |||
Cinematography by | |||
| Jack N. Green | |||
Film Editing by | |||
| Joel Cox | |||
Casting by | |||
| Phyllis Huffman | |||
Production Design by | |||
| Edward C. Carfagno | |||
Set Decoration by | |||
| Thomas L. Roysden | |||
| John Sweeney | (uncredited) | ||
Costume Design by | |||
| Glenn Wright | (uncredited) | ||
Makeup Department | |||
| Kathryn Blondell | .... | hair stylist | |
| Michael Hancock | .... | makeup artist | |
| Lola Kemp | .... | hair stylist | |
Production Management | |||
| David Valdes | .... | production manager | |
Art Department | |||
| Edward Aiona | .... | property master | |
| Larry Boyd | .... | set dresser | |
| Judy Cammer | .... | set designer | |
| Joseph C. Fama | .... | construction foreman (as Joe Fama) | |
| Bill Gay | .... | assistant property master (as William D. Gay) | |
| Kelly Hudson | .... | construction painter | |
| Ronald C. Jacobs | .... | lead man (as Ron Jacobs) | |
| Bob Lawless | .... | stand-by painter (as Robert Lawless) | |
| Joe Mendoza | .... | drapery | |
| Michael Muscarella | .... | construction coordinator | |
| Mark Rich | .... | assistant property master | |
| Danny Rogers | .... | graphic designer | |
| Ciro Vuoso | .... | construction foreman (as Ciro Vuosos) | |
Sound Department | |||
| Rick Alexander | .... | sound re-recording mixer (as Dick Alexander) | |
| Willie D. Burton | .... | sound mixer | |
| Virginia Cook-McGowan | .... | sound editor | |
| Teri E. Dorman | .... | sound editor | |
| Jay Engel | .... | adr editor (as Jay N. Engel) | |
| Les Fresholtz | .... | sound re-recording mixer | |
| Dee Dee Goldner | .... | assistant sound editor | |
| Robert W. Harris | .... | cable person | |
| Robert G. Henderson | .... | supervising sound editor | |
| David M. Horton | .... | sound editor | |
| Joseph A. Ippolito | .... | sound editor | |
| Marvin E. Lewis | .... | boom operator | |
| Alan Robert Murray | .... | supervising sound editor | |
| Walter Newman | .... | sound editor | |
| Vern Poore | .... | sound re-recording mixer | |
| Brooke Henderson Ward | .... | assistant sound editor | |
| Marshall Winn | .... | sound editor | |
| James Ashwill | .... | foley mixer (uncredited) | |
Special Effects by | |||
| Joe Day | .... | special effects | |
| Chuck Gaspar | .... | special effects supervisor | |
Visual Effects by | |||
| Bill Hansard | .... | process projection (as Bill Hansard Sr.) | |
Camera and Electrical Department | |||
| Jack Anderson | .... | additional camera operator | |
| Danny Falkengren | .... | grip (as Dan Falkengren) | |
| Leroy Hershkowitz | .... | best boy electric | |
| Norman G. Langley | .... | camera operator | |
| Bruce Logan | .... | process photographer | |
| Jack E. McLean Jr. | .... | electrician | |
| Dennie C. Modes | .... | playback operator | |
| Hal Nelson | .... | best boy grip | |
| Víctor Pérez | .... | gaffer (as Victor Perez) | |
| Marcia Reed | .... | still photographer | |
| Tony Rivetti | .... | first assistant camera: "a" camera, steadicam (as Anthony J. Rivetti) | |
| Rick Robinson | .... | assistant camera | |
| Charles Saldana | .... | key grip | |
| T. Daniel Scaringi | .... | grip | |
| Sidney Sidell | .... | assistant camera (as Jerry Sidell) | |
| Sabrina Simmons | .... | second assistant camera | |
| Michael J. Spehar | .... | electrician (as Mike Spehar) | |
| Tom Stern | .... | lighting consultant | |
| Sandy Williams | .... | dolly grip (as Walter L. Williams) | |
| Joseph D. Steuben | .... | camera operator (uncredited) | |
Casting Department | |||
| Olivia Harris | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Bob Christenson | .... | wardrobe: men (as Robert Christenson) | |
| Deborah Hopper | .... | costume supervisor | |
| Nancy McArdle | .... | wardrobe: women | |
| Alfred Tiegs | .... | wardrobe: men | |
| Glenn Wright | .... | costume supervisor: men | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter | |
| Michael Cipriano | .... | assistant film editor | |
| Jack Garsha | .... | color timer | |
Music Department | |||
| Chuck Berghofer | .... | musician | |
| Ron Carter | .... | musician | |
| Chuck Domanico | .... | musician | |
| Robert Fernandez | .... | scoring mixer (as Bobby Fernandez) | |
| Patti Fidelibus | .... | music contractor | |
| John Guerin | .... | musician: drums | |
| Donald Harris | .... | music editor | |
| Charles McPherson | .... | musician: alto saxophone, "Bird" solos | |
| Lennie Niehaus | .... | music supervisor | |
| John E. Oliver | .... | sideline musicians (as John Oliver) | |
| Steve Wax | .... | music consultant | |
Transportation Department | |||
| Keith Dillin | .... | transportation coordinator | |
| Randy Luna | .... | driver | |
Other crew | |||
| Marco Barla | .... | unit publicist | |
| Judie Hoyt | .... | assistant to producer | |
| Linda Sony Kinney | .... | production secretary | |
| David R. Lawson | .... | first aid | |
| Antoinette Levine | .... | location manager | |
| Michael Maurer | .... | production accountant | |
| Lloyd Nelson | .... | script supervisor | |
| Tom Rooker | .... | production associate | |
| Antoinette Simmrin | .... | location manager | |
| Danny Wagner | .... | stand-in (uncredited) | |
Thanks | |||
| Nica De Koenigswarter | .... | special thanks | |
| Leonard Feather | .... | special thanks | |
| Dizzy Gillespie | .... | special thanks | |
| Buddy Jones | .... | special thanks | |
| Chan Parker | .... | special thanks | |
| Red Rodney | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb USA section |
Clint Eastwood's reputation as a serious filmmaker was given a considerable boost with this lengthy biography of jazz legend, Charlie "Yardbird" Parker, who Eastwood, a jazz aficionado, saw perform in Oakland, California in 1946. For this labor of love, Eastwood assembled an excellent cast including Forest Whitaker as Parker, Diane Venora--flawless as Bird's woman, Chan Parker--and, in a small role of one of the musician's flirtations, Ana Thompson (the "cut whore" from "Unforgiven"). With the aid of cinematographer Jack N. Green, Eastwood captures the neon burnished lights and darks of the night world Parker inhabited, and the music, featuring genuine Parker solos augmented by modern musicians, can't be faulted, but despite its merits, this "Bird" never takes flight. It is long--too long--and the story it tells, though certainly dramatic in its bleak and uncompromising portrait of an artist whose music was often overshadowed by his drug addiction, weighs down too heavily on the latter than the former. Why is Charlie Parker so important? That question isn't answered here, but another question--why was Charlie Parker dead at 34?--is addressed and answered at length. There is potential on view here--Parker's struggle to survive as a musician in a culture that is more appreciative of rock and roll than of jazz is a minor thread that could have been expanded--but much of it is unrealized. "Bird" is a handsome film, but its craftsmanship and artistry is defeated by the script.