As the film opens on an Oklahoma farm during the depression, two simultaneous visitors literally hit the Wagoneer home: a ruinous dust storm and a convertible crazily driven by Red, the ... See full summary »
Breezy is a teen-aged hippy with a big heart. After taking a ride with a man who only wants her for sex, Breezy manages to escape. She runs to hide on a secluded property where stands the ... See full summary »
A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
Saxophone player Charlie Parker comes to New York in 1940. He is quickly noticed for his remarkable way of playing. He becomes a drug addict but his loving wife Chan tries to help him. Written by
When Bird is reciting the telegram to be sent to Chan, and we see the telegram being printed as he speaks, he says "Forgive me for not being in the hospital with you," but the telegram reads "Forgive me for not being there with you while you were at the hospital." See more »
Ain't it a bitch? I go to a liver doctor and I pay him $50. And it don't help me. I go to an ulcer doctor... same thing, except I pay him $75. But I go to some little cat up in a house somewhere and pay him $10 for a bag of shit and a little peace... my ulcers don't hurt, liver don't hurt. My heart trouble is gone. And this is the man I'm supposed to stay away from? Mr. Gillespie, my comrade in arms, that is what I call... a paradox.
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I feel as though the film did not do justice to the musically phenomenal life "Bird" went through. He was one of the most influential Jazz musicians crating an entire style of music. Which i felt was not portrayed fully. As one of the comments i've heard before stated "it seemed they had a choice between Charlie Parker as a musical genius or Charlie Parker as a junkie and they chose junkie."
I felt as though the musicians playing the bird solo's did a bad job reflecting his "sound." As in Charlie Parker had a sound that filled up an entire room with complicated be-bop phrasings and with a blues background. While the musicians just had him playing fast notes most of the time which was sometimes difficult to hear over back ground noise, very "unbird like".
However i did enjoy moments of the film, that showed even Charlie Parker had to play some weird gigs.
My last point is that it felt as though Chan Parker was portrayed as a stable part of bird's life, and was one of the central idea's of the film. As in the love story between him and his wife, with a love hate relationship. Which i think could have been less focused on and centralized more around Charlie Parkers music.
i do understand that Chan actually helped the script writer to write the film so it may have been a somewhat biased perspective.
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