The troubled life and career of the jazz musician, Charlie "Bird" Parker.

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Cast

Cast overview, first billed only:
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Chan Parker
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Red Rodney
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Buster Franklin
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Brewster
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Esteves
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Young Bird
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Kim
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Dr. Heath
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Moscowitz
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Bellevue Nurse
Glenn Wright ...
Alcoholic Patient (as Glenn T. Wright)
George Orrison ...
Patient with Checkers
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Dr. Caulfield
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Storyline

Saxophone player Charlie Parker comes to New York in 1940. He is quickly noticed for his remarkable way of playing. He becomes a drug addict but his loving wife Chan tries to help him. Written by Anonymous

Plot Summary | Plot Synopsis

Plot Keywords:

drugs | jazz | drug addict | 1940s | woman | See All (27) »

Taglines:

"There are no second acts in American lives." - F. Scott Fitzgerald

Genres:

Biography | Drama | Music

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

30 September 1988 (USA)  »

Also Known As:

Yardbird Suite  »

Box Office

Budget:

$9,000,000 (estimated)

Gross:

$2,181,286 (USA)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

First of two consecutive biopics for Clint Eastwood. White Hunter Black Heart (1990) was about film director John Huston. See more »

Goofs

When Charlie Parker goes to Dizzy Gillespie's house in the middle of the night and asks Dizzy to write down a tune, the year is 1953. The tune is "Now's the Time", published and recorded in 1949. See more »

Quotes

Chan Parker: [after seeing Charlie having a overdose] That was stupidity. Now I have to call an ambulance.
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Connections

Referenced in The O'Reilly Factor: Episode dated 11 June 2008 (2008) See more »

Soundtracks

Young Bird
Performed by James Rivers, Pete Jolly, Chuck Berghofer, John Guerin
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User Reviews

Cool Soundtrack! Overall good movie but, flawed.
9 August 2000 | by (Los Angeles, CA) – See all my reviews

If you like Jazz you can't 'not like' this movie. If you like Noir you will dig the overall look of it. My only problem is that Eastwood concentrates more on presenting the tragic side of Charlie parker's life and so we get a very dark and somber film.

While we do get glimpses of Parker as 'musician', Forest Whitaker's, Parker as 'junkie', tends to weigh down the story. If Eastwood had to choose between highlighting the story of 'The greatest jazz musician of all time' or 'The premature death of a self-destructive Junkie', It's obvious which route he chose to take...the easiest one.

Ultimately it becomes more a movie about Parker's relationship with his wife Chan, and less about Parker's relationship with Jazz. In my opinion, Clint doesn't really succeed at showing us why we should love the character of Bird and maybe this was not his intention; but if a separation of the personality (warts and all) and his art is necessary to show an honest depiction; then why not also highlight the music and allow it to speak for itself? In this case, by making it a more satisfying listening experience like Formans "Amadeus" or Tavernier's "Round Midnight". The way they allowed the music be THE lead character of the movie.

Still, the improved fidelity in the remix of the soundtrack makes some of these old recordings easier digestible for those who may be new to Parker's music. Incidentally, this is the best fidelity of Charlie Parker you'll find anywhere. On the whole this is not a bad movie; It is not a complete depress-fest like two other movies about drug induced pop culture icons: 'The Doors' or 'Sid & Nancy'. Indeed this movie has its moments. There's a scene where Parker (blowing on his sax) wakes up Dizzy in the middle of the night to improvise on 'Now's the Time'. I also love the scene where he takes a gig with Red Rodney to play at a Jewish wedding. I wanted more of this type of interaction with his fellow Jazzers!


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