The troubled life and career of the jazz musician, Charlie "Bird" Parker.

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Cast

Cast overview, first billed only:
...
...
Chan Parker
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Red Rodney
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...
Buster Franklin
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Brewster
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Esteves
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Young Bird
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Kim
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Dr. Heath
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Moscowitz
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Bellevue Nurse
Glenn Wright ...
Alcoholic Patient (as Glenn T. Wright)
George Orrison ...
Patient with Checkers
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Dr. Caulfield
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Storyline

Saxophone player Charlie Parker comes to New York in 1940. He is quickly noticed for his remarkable way of playing. He becomes a drug addict but his loving wife Chan tries to help him. Written by Anonymous

Plot Summary | Plot Synopsis

Plot Keywords:

drugs | jazz | drug addict | 1940s | woman | See All (27) »

Taglines:

"There are no second acts in American lives." - F. Scott Fitzgerald

Genres:

Biography | Drama | Music

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

30 September 1988 (USA)  »

Also Known As:

Yardbird Suite  »

Box Office

Budget:

$9,000,000 (estimated)

Gross:

$2,181,286 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The first movie directed by Clint Eastwood to win an Academy Award, for Best Sound. See more »

Goofs

When Bird is dictates the telegram to be sent to Chan, it's printed as he speaks. He says "Forgive me for not being in the hospital with you," but the telegram reads "Forgive me for not being there with you while you were at the hospital." See more »

Quotes

Charlie 'Bird' Parker: There's going to be a Birdland in every city one day. There's gonna be a Birdland in Chicago, a Birdland in Detroit, a Birdland right across the street from Camarillo. I am the liberator of Paris and you are a motherfucking afterthought!
See more »

Connections

Referenced in The O'Reilly Factor: Episode dated 11 June 2008 (2008) See more »

Soundtracks

Moonlight Becames You
Performed by Ronny Lang, Gary Foster, Bob Cooper, Pete Chrislieb,
Chuck Findley, Conte Candoli, Rick Bapsits, Dick Nash, Bill Watrous, Barry Harris,
, Chuck Berghofe, John Guerin
See more »

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User Reviews

Cool Soundtrack! Overall good movie but, flawed.
9 August 2000 | by (Los Angeles, CA) – See all my reviews

If you like Jazz you can't 'not like' this movie. If you like Noir you will dig the overall look of it. My only problem is that Eastwood concentrates more on presenting the tragic side of Charlie parker's life and so we get a very dark and somber film.

While we do get glimpses of Parker as 'musician', Forest Whitaker's, Parker as 'junkie', tends to weigh down the story. If Eastwood had to choose between highlighting the story of 'The greatest jazz musician of all time' or 'The premature death of a self-destructive Junkie', It's obvious which route he chose to take...the easiest one.

Ultimately it becomes more a movie about Parker's relationship with his wife Chan, and less about Parker's relationship with Jazz. In my opinion, Clint doesn't really succeed at showing us why we should love the character of Bird and maybe this was not his intention; but if a separation of the personality (warts and all) and his art is necessary to show an honest depiction; then why not also highlight the music and allow it to speak for itself? In this case, by making it a more satisfying listening experience like Formans "Amadeus" or Tavernier's "Round Midnight". The way they allowed the music be THE lead character of the movie.

Still, the improved fidelity in the remix of the soundtrack makes some of these old recordings easier digestible for those who may be new to Parker's music. Incidentally, this is the best fidelity of Charlie Parker you'll find anywhere. On the whole this is not a bad movie; It is not a complete depress-fest like two other movies about drug induced pop culture icons: 'The Doors' or 'Sid & Nancy'. Indeed this movie has its moments. There's a scene where Parker (blowing on his sax) wakes up Dizzy in the middle of the night to improvise on 'Now's the Time'. I also love the scene where he takes a gig with Red Rodney to play at a Jewish wedding. I wanted more of this type of interaction with his fellow Jazzers!


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