As the film opens on an Oklahoma farm during the depression, two simultaneous visitors literally hit the Wagoneer home: a ruinous dust storm and a convertible crazily driven by Red, the ... See full summary »
Breezy is a teen-aged hippy with a big heart. After taking a ride with a man who only wants her for sex, Breezy manages to escape. She runs to hide on a secluded property where stands the ... See full summary »
Saxophone player Charlie Parker comes to New York in 1940. He is quickly noticed for his remarkable way of playing. He becomes a drug addict but his loving wife Chan tries to help him. Written by
A sound engineer digitally and electronically isolated the solo tracks from the old recordings that Clint Eastwood got from Charlie Parker's widow Chan Parker. Then modern day musicians such as Ray Brown, Ron Carter, Red Rodney, Barry Harris and Walter Davis, Jr recorded backing tracks over Charlie Parker's original music. Dizzy Gillespie could not contribute to these backing tracks as he was on tour at the time so instead trumpet player Jon Faddis stepped in to do Gillespie's part. See more »
When Charlie Parker goes to Dizzy Gillespie's house in the middle of the night and asks Dizzy to write down a tune, the year is 1953. The tune is "Now's the Time", which was published and recorded in 1949. See more »
Dizzy sent you a birthday card. Seems he's back in town. Do you owe him a phone call?
I owe Dizzy everything...except a phone call.
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Those viewers who claim the film is flawed are missing the point. Screenwriter Joel Oliansky (who also directed the film "The Competition") attempted (quite successfully I believe) to combine the elements of jazz music with the visual medium of film. Rhythm, tone, the improvisational aspects of be-bop, all of these elements go into creating a movie unlike any produced. It is not to be viewed in the traditional sense of linear story-telling. The mood created by Jack N. Green's cinematography is completed suited to the atmosphere of the 1940's and 1950's. As for acting, let us point out Forest Whitaker's Best Actor Award from the Cannes Film Festival and Diane Venora's Best Supporting Actress Award from the New York Film Critics. This film resounds with fine filmmaking, headed by Clint Eastwood's passion for the music. And what music! Parker's original solos were cleaned up and integrated with modern musicians into a seamless flow. The picture won the Best Sound Academy Award (sadly, its only nomination). Look at this film as a tribute to a man and a music, a recollection of a brilliant yet dissipated life, and a kind of filmmaking rarely seen by today's audiences.
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