Pee-Wee is now a successful small-town farmer, engaged to schoolteacher Winnie. A traveling circus arrives and Pee-Wee and his talking pet pig Vance agree to help them win over the bitter townsfolk. He also falls for trapeze artist Gina.
An adult-oriented version of what would eventually become an award-winning children's classic. This version of the show features Pee-wee's playhouse and many of the characters of the later ... See full summary »
Dan and Lorie are journalists working in the same office. More often than not they have opposing view of the issue in question. Deciding that this is hot stuff, a television producer gives ... See full summary »
In the sequel to "Pee Wee's Big Adventure", Pee-Wee Herman has had enough with the fame and constant media attention he received after the events of the first movie, so he's now a simple farmer living quietly in a small town. But after a big storm blows their way, a circus ends up at Pee Wee's farm. So he lets the circus stay at his farm for a while. The circus decides to put on a show with one lovable star, Pee-Wee! Also, a love triangle develops between Pee-Wee, his nice fiancée Winnie, who's the local schoolteacher, and mysterious loner Gina, the circus' attractive trapeze artist. The outcome of this subplot is somewhat unexpected. Written by
Due to Pee-wee's Big Adventure (1985) and this being produced by different studios (Warner Brothers for "Adventure," Paramount for this one), Danny Elfman's famous score for the earlier film could not be reused, so he had to compose a new score for this one. See more »
When the Sheriff enters Mr. Ryan's Store to tell everyone about the Storm, Otis switches from standing next to the Sheriff and Mr. Ryan between shots. See more »
Ah, the ignorance of being a kid. "Big Top Pee-Wee" had some decent play value back when I was too small to know better. But watching this through adult eyes was a huge letdown. The story's paper thin, the charm is nonexistent and . . . well it's all off. Most of the jokes are dead in the water, and there are long stretches where you hope for something funny, but the laughs just don't come. I kept asking myself if I'm just missing some brilliantly subversive art - but no, I'm pretty sure this is just driftwood. Kristofferson's seemingly wandered into the wrong production, and Reubens is just doing through the motions. Vance the Pig was funny, and the hot dog tree was cute.
But that's about it.
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