Good natured Reverend Henry Biggs finds that his marriage to choir mistress Julia is flagging, due to his constant absence caring for the deprived neighborhood they live in. On top of all ... See full summary »
Courtney B. Vance
Vada Sultenfuss is obsessed with death. Her mother is dead, and her father runs a funeral parlor. She is also in love with her English teacher, and joins a poetry class over the summer just... See full summary »
A young boy makes a wish at a carnival machine to be big. He wakes up the following morning to find that it has been granted and his body has grown older overnight. But he is still the same 12-year-old boy inside. Now he must learn how to cope with the unfamiliar world of grown-ups including getting a job and having his first romantic encounter with a woman. What will he find out about this strange world? Written by
Sami Al-Taher <firstname.lastname@example.org>
Tom Hanks was the first choice to play Josh Baskin but was unavailable due to scheduling conflicts with the films Dragnet (1987) and Punchline (1988). Robert De Niro was then offered the lead role, and was rejected because his salary demand ($6 million) was too high. Tom Hanks then became available and accepted the lead role for $2 million. David Moscow was originally cast not as young Josh, but as Billy, since he didn't look like Robert De Niro. When Tom Hanks was given the role, David Moscow was recast as young Josh. See more »
When Josh and Susan are riding in the limo, the background shots alternate between different streets, evidenced by the lights and buildings which are constantly changing between shots. See more »
[noticing a dingy hotel that says "St. James"]
This one looks all right.
No, it doesn't.
St. James, Josh! It's religious.
See more »
Saw this movie again recently and found that it stands up well to repeat viewings. Tom Hanks meets a difficult challenge here - to convincingly show us how a twelve-year old boy would act if he were trapped in an adult's body and had to "pass" in a grownup world. He meets the challenge in spades, aided by a script that is by turns witty, clever, insightful, and touching, and by Penny Marshall's able direction. Much is added by Robert Loggia's sympathetic portrayal of Tom/Josh's boss, and by Jared Rushton as his friend Billy. The movie is much more than an exercise in slapstick or farce: it is really a disquisition on the wonder of childhood. In the end it is quite touching, if not moving, reminding us all of the innocence of youth and the aching sadness of recalling its loss. Too early to tell, but the film might very well be destined to become a classic.
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