A young boy (David Moscow) makes a wish at a carnival machine to be big. He wakes up the following morning to find that it has been granted and his body has grown older overnight. But he is still the same 13-year-old boy inside. Now he must learn how to cope with the unfamiliar world of grown-ups including getting a job and having his first romantic encounter with a woman. What will he find out about this strange world? Written by
Sami Al-Taher <firstname.lastname@example.org>
A comic book adaptation was released by Hit Comics in 1988. See more »
When Susan chases after Josh after he runs out of the meeting, she just misses the elevator doors closing. She pushes the down button to call another elevator, but it was already lit - there's no reason for it to be lit when a descending elevator has just closed and left and nobody else is there to push the button. See more »
It's a glow-in-the-dark compass ring. So you don't get lost.
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Saw this movie again recently and found that it stands up well to repeat viewings. Tom Hanks meets a difficult challenge here - to convincingly show us how a twelve-year old boy would act if he were trapped in an adult's body and had to "pass" in a grownup world. He meets the challenge in spades, aided by a script that is by turns witty, clever, insightful, and touching, and by Penny Marshall's able direction. Much is added by Robert Loggia's sympathetic portrayal of Tom/Josh's boss, and by Jared Rushton as his friend Billy. The movie is much more than an exercise in slapstick or farce: it is really a disquisition on the wonder of childhood. In the end it is quite touching, if not moving, reminding us all of the innocence of youth and the aching sadness of recalling its loss. Too early to tell, but the film might very well be destined to become a classic.
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