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Big (1988)

 -  Comedy | Drama | Fantasy  -  3 June 1988 (USA)
7.3
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Ratings: 7.3/10 from 123,156 users   Metascore: 72/100
Reviews: 184 user | 91 critic | 19 from Metacritic.com

When a boy wishes to be big at a magic wish machine, he wakes up the next morning and finds himself in an adult body.

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Title: Big (1988)

Big (1988) on IMDb 7.3/10

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Nominated for 2 Oscars. Another 12 wins & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Kimberlee M. Davis ...
Oliver Block ...
Erika Katz ...
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Mark Ballou ...
Gary Howard Klar ...
Ticket Taker (as Gary Klar)
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Storyline

A young boy makes a wish at a carnival machine to be big. He wakes up the following morning to find that it has been granted and his body has grown older overnight. But he is still the same 12-year-old boy inside. Now he must learn how to cope with the unfamiliar world of grown-ups including getting a job and having his first romantic encounter with a woman. What will he find out about this strange world? Written by Sami Al-Taher <staher2000@yahoo.com>

Plot Summary | Plot Synopsis

Plot Keywords:

wish | job | new york city | toy | friend | See All (95) »

Taglines:

Have you ever had a really big secret? See more »


Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

3 June 1988 (USA)  »

Also Known As:

Quisiera ser grande  »

Box Office

Budget:

$18,000,000 (estimated)

Gross:

$114,968,774 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (extended edition)

Sound Mix:

| (Todd-AO/Glen Glenn Sound)

Color:

(DuArt)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The film's budget was estimated at $17 million. See more »

Goofs

The milk carton states that Josh disappeared on September 12th. It takes six weeks (or until late October) for him to get the information about the carnival, become young again and go home. Yet somehow his birthday, January 20th on that same milk carton, comes around during those six weeks in autumn. See more »

Quotes

Susan: I'm not so sure we should do this.
Josh: Do what?
Susan: Well, I like you, and I want to spend the night with you.
Josh: Do you mean sleep over?
Susan: Well, yeah.
Josh: OK... but I get to be on top.
See more »

Connections

Referenced in Don't Trust Andrew Mayne: Love on the Blocks (2014) See more »

Soundtracks

Be a Helper Bee
Written by Kimberly A. Bradstreet
Performed by Kimberly and Friends
Courtesy of Dance and Jingle Inc.
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
This movie captures the innocence of youth beautifully
12 August 2002 | by (Milton Keynes, England) – See all my reviews

I saw this film again yesterday for what must now be the tenth or so time and it's a film that makes me stop whatever I'm doing and immerse myself in the unfolding story. Never mind the fact that I am by now familiar with the premise, which incidentally far exceeds similar ones of the genre released at this time - Vice Versa and 18 Again (the latter being truly dire).

I think this is one of Hanks' finest hours and see it as the pinnacle of his early pre-90's career. His later performance in Philadelphia would eclipse this role, although this was obviously more serious in its message.

It takes real talent to act the young boy in the body of a thirty something and Hanks' copes admirably, from the comical leaping around the bedroom when he is trying to put on the jeans of the child on discovering his transformation to the child-like reaction displayed on Perkins' advances toward him. He captures the essence of youthful innocence both in the company of his younger peers and older 'work' colleagues.

Elizabeth Perkins complements the performance of Hanks' and it seems a shame that on searching the database that her career perhaps hasn't mirrored the success of Hanks' since making 'Big'.

I don't know why, but I always shed a tear at the end of the film. Perhaps it is the longing in all of us to want to return to the days of our youth and that we cannot turn back the clock as one can in the imaginary world of film.

As I grow older, and watch my children grow-up it makes me realise that time is a precious commodity and that life is a gift that should be cherished and nurtured carefully. This film somehow reinforces these feelings.


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