Directed by
| Pamela Gibbons | ||
Writing Credits
| Pamela Gibbons | ... | (written by) |
Cast (in credits order) complete, awaiting verification
Produced by
| Bedrich Kabriel | ... | producer |
Music by
| Les Gock | ||
Cinematography by
| Malcolm McCulloch | ||
Editing by
| David Huggett | ||
Casting By
| Alison Barrett | ||
Production Design by
| Bedrich Kabriel | ||
| Herbert Pinter | ||
Art Direction by
| Stewart Way | ||
Costume Design by
| Bruce Finlayson | ||
Production Management
| Ken Moffatt | ... | unit manager |
| Sue Wild | ... | production manager (as Susan Wild) |
Second Unit Director or Assistant Director
| Adrian Pickersgill | ... | first assistant director |
| Adam Spencer | ... | third assistant director |
| John Titley | ... | second assistant director (as John Tittley) |
Art Department
| Fran Burke | ... | graphics |
| Robert Moxham | ... | stand-by props |
| Cathy Young | ... | art department coordinator |
Sound Department
| Tim Lloyd | ... | sound recordist |
| Mark van Kool | ... | boom operator (as Mark Vankool) |
Visual Effects by
| Roger Cowland | ... | visual effects |
Camera and Electrical Department
| Tonti Connolly | ... | clapper loader |
| Pat Hagen | ... | best boy (as Pat Hagan) |
| Graeme Mardell | ... | grip (as Graham Mardell) |
| Brad Shield | ... | focus puller (as Brad Shields) |
| Colin Tulloch | ... | 2nd grip (as Col Tulloch) |
| Roger Wood | ... | gaffer |
Costume and Wardrobe Department
| Julie Barton | ... | costume stand-by |
Editorial Department
| Arthur Cambridge | ... | color grading |
Location Management
| Ken Moffatt | ... | location manager |
Script and Continuity Department
| Larraine Quinnell | ... | continuity |
Additional Crew
| Karina Ang | ... | production accountant |
| Tony Bosch | ... | production runner |
| Julie Kennedy | ... | production coordinator |
| James McTeigue | ... | production assistant (as James McTiegue) |
| Robyn Moase | ... | choreography |
