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Directed by | |||
| Tim Burton | |||
Writing credits | ||
| Michael McDowell | (story) & | |
| Larry Wilson | (story) | |
| Michael McDowell | (screenplay) and | |
| Warren Skaaren | (screenplay) | |
Produced by | |||
| Michael Bender | .... | producer | |
| Richard Hashimoto | .... | producer | |
| June Petersen | .... | assistant producer | |
| Larry Wilson | .... | producer | |
| Eric Angelson | .... | associate producer (uncredited) | |
Original Music by | |||
| Danny Elfman | |||
Cinematography by | |||
| Thomas E. Ackerman | (director of photography) (as Thomas Ackerman) | ||
Film Editing by | |||
| Jane Kurson | |||
Casting by | |||
| Janet Hirshenson | |||
| Jane Jenkins | |||
Production Design by | |||
| Bo Welch | |||
Art Direction by | |||
| Tom Duffield | |||
Set Decoration by | |||
| Catherine Mann | |||
Costume Design by | |||
| Aggie Guerard Rodgers | |||
Makeup Department | |||
| Steve LaPorte | .... | makeup artist | |
| Ve Neill | .... | makeup artist | |
| Robert Short | .... | effects makeup artist | |
| Yolanda Toussieng | .... | hair stylist | |
| Dale Brady | .... | special makeup effects artist (uncredited) | |
| Thomas Floutz | .... | special makeup effects artist: crew (uncredited) | |
| Bill Forsche | .... | Barbara/Adam transformation assistant (uncredited) | |
| Jon Curtis Price | .... | special makeup effects artist (uncredited) | |
| Matt Rose | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Eric Angelson | .... | production supervisor: The Geffen Company | |
| Donald Heitzer | .... | unit production manager (as Don Heitzer) | |
Second Unit Director or Assistant Director | |||
| K.C. Colwell | .... | second assistant director | |
| Jerry Fleck | .... | second assistant director | |
| Bill Scott | .... | first assistant director | |
Art Department | |||
| Paul J. Campanella | .... | stand-by painter (as Paul Campanella) | |
| Cheryl Carasik | .... | lead person | |
| Gary F. Kieldrup | .... | assistant property master (as Gary Kieldrup) | |
| Richard McKenzie | .... | set designer (as Dick McKenzie) | |
| Dan Ondrejko | .... | greensman | |
| Dan Pemberton | .... | propmaker | |
| William A. Petrotta | .... | property master (as Bill Petrotta) | |
| Robert Scaife | .... | construction coordinator (as Bob Scaife) | |
| Douglas Turner | .... | creative construction supervisor: Short effects crew | |
| John Warnke | .... | set designer | |
| Scot Broadus | .... | model maker (uncredited) | |
| Michael D. Costello | .... | scenic artist (uncredited) | |
| Michael Denering | .... | scenic artist (uncredited) | |
| Glenn Forbes | .... | assistant property master (uncredited) | |
| Allan Johnson | .... | miniature landscape: topographical landscape (uncredited) | |
| Jack Johnson | .... | illustrator (uncredited) | |
| Pola Shreiber | .... | assistant property master (uncredited) | |
| Craig Talmy | .... | sculptor (uncredited) | |
| John Villarino | .... | propmaker foreman (uncredited) | |
| Mike Villarino | .... | construction foreman (uncredited) | |
| Clyde Zimmerman | .... | paint supervisor (uncredited) | |
Sound Department | |||
| Richard L. Anderson | .... | supervising sound editor (as Richard Anderson) | |
| Mary Andrews | .... | supervising adr editor | |
| Tom Durell | .... | cable operator | |
| Gil Haimsohn | .... | assistant sound editor (as Gilbert Haimsohn) | |
| Warren Hamilton Jr. | .... | sound editor | |
| Gregg Landaker | .... | sound re-recording mixer | |
| Steve Maslow | .... | sound re-recording mixer | |
| Kevin O'Connell | .... | sound re-recording mixer | |
| Mark Pappas | .... | sound editor | |
| David M. Ronne | .... | production sound mixer (as David Ronne) | |
| John B. Schuyler | .... | boom operator (as John Schuyler) | |
| David E. Stone | .... | sound editor (as David Stone) | |
| Jeffrey Wilhoit | .... | foley artist | |
Special Effects by | |||
| Joe Day | .... | special effects | |
| Edward J. Franklin | .... | special effects crew | |
| Chuck Gaspar | .... | special effects supervisor | |
| Elmer Hui | .... | special effects | |
| William Lee | .... | special effects | |
| Thomas Mertz | .... | special effects (as Tom Mertz) | |
| Jeffrey A. Wischnack | .... | special effects (as Jeff Wischnak) | |
| Gary D. Bierend | .... | special effects crew (uncredited) | |
| Yancy Calzada | .... | special effects department (uncredited) | |
| Joerg Fiederer | .... | special effects crew (uncredited) | |
Visual Effects by | |||
| David Beasley | .... | model shop supervisor: Short effects crew | |
| James Belohovek | .... | miniature production | |
| Beverly Bernacki | .... | optical effects | |
| Doug Beswick | .... | visual effects: sandworm sequence | |
| William S. Conner | .... | optical effects (as William Conner) | |
| Thomas Conti | .... | miniature production | |
| Jammie Friday | .... | animation production | |
| Spencer Gill | .... | optical effects | |
| Rick Heinrichs | .... | visual effects consultant | |
| Rick Kess | .... | miniature production | |
| Peter Kuran | .... | visual effects | |
| Tim Lawrence | .... | visual effects: Barbara/Adam transportation | |
| Jo Martin | .... | optical effects | |
| James D. McGeachy | .... | construction supervisor: short effects crew (as James McGeachy) | |
| Alan Munro | .... | visual effects supervisor | |
| Mark Myer | .... | animation production | |
| Sarah Pasanen | .... | optical effects | |
| Ted Rae | .... | visual effects: snake sequence | |
| Jacqueline Zietlow | .... | visual effects coordinator | |
| Jim Aupperle | .... | stop-motion camera (uncredited) | |
| Les Bernstien | .... | visual effects (uncredited) | |
| Tom Gleason | .... | miniature effects unit: model maker (uncredited) | |
| Steve Koch | .... | miniatures (uncredited) | |
| Stuart Land | .... | sculptor (uncredited) | |
| Mike Smithson | .... | stop-motion fabrication (uncredited) | |
| David Stump | .... | visual effects cameraman (uncredited) | |
| Chris Woodward | .... | visual effects camera assistant: VCE (uncredited) | |
Stunts | |||
| Michael Cassidy | .... | stunts (as Mike Cassidy) | |
| Carl Ciarfalio | .... | stunts | |
| Shinko Isobe | .... | stunts | |
| Maria R. Kelly | .... | stunts (as Maria Kelly) | |
| Di Ann Lerner | .... | stunts | |
| Fred Lerner | .... | stunt coordinator | |
| Fred Lerner | .... | stunts | |
| James Lerner | .... | stunts | |
| Beth Nufer | .... | stunts | |
| Noon Orsatti | .... | stunts | |
| Mary Peters | .... | stunts | |
| Patrick Puccinelli | .... | stunts (as Pat Puccinelli) | |
| Anthony G. Schmidt | .... | stunts (as Anthony Schmidt) | |
| Cris Thomas-Palomino | .... | stunts (as Cris Thomas Palomino) | |
| Fred Waugh | .... | stunts | |
Camera and Electrical Department | |||
| Patricia Harrison | .... | second assistant camera (as Patty Harrison) | |
| Douglas Knapp | .... | camera operator (as Doug Knapp) | |
| Michael Laws | .... | assistant chief lighting technician | |
| Jane O'Neal | .... | still photographer | |
| David L. Parrish | .... | first assistant camera (as David Parrish) | |
| Mark Pearson | .... | best boy grip | |
| Ted Rhodes | .... | key grip | |
| Bill Silic | .... | chief lighting technician | |
| George Stephenson | .... | camera operator | |
| Albert Hood | .... | electrician (uncredited) | |
| William M. Weberg | .... | grip (uncredited) | |
Costume and Wardrobe Department | |||
| Linda Henrikson | .... | costume supervisor | |
| Betty Jean Slater | .... | wardrobe | |
| Chuck Velasco | .... | costume supervisor | |
Editorial Department | |||
| Louis Benioff | .... | assistant editor | |
| John Collier Bennett | .... | post-production assistant (uncredited) | |
Music Department | |||
| Bob Badami | .... | music editor | |
| Steve Bartek | .... | orchestrator | |
| Robert Fernandez | .... | music scoring mixer (as Bob Fernandez) | |
| Nancy Fogarty | .... | music editor | |
| William Ross | .... | conductor | |
| Tom Boyd | .... | musician: oboe soloist (uncredited) | |
| Tommy Johnson | .... | musician: tuba (uncredited) | |
| James Thatcher | .... | musician: French horn (uncredited) | |
Transportation Department | |||
| Don Newton | .... | transportation coordinator | |
Other crew | |||
| Chrissy Bocchino | .... | choreographer | |
| Kevin Carlson | .... | puppeteer | |
| Robert Dawson | .... | title designer | |
| Luba Dmytryk | .... | production coordinator | |
| Pablo Ferro | .... | title designer | |
| Ira Friedlander | .... | assistant accountant | |
| Linda Frobos | .... | lead puppet sculptor: Short effects crew | |
| Mary F. Galloway | .... | location manager (as Mary Galloway) | |
| Pete Gerard | .... | mechanical effects supervisor: Short effects crew | |
| Sandey Grinn | .... | puppeteer (as Sandy Grinn) | |
| James D. McGeachy | .... | puppeteer (as James McGeachy) | |
| Ralph B. Meyer | .... | production associate (as Ralph Meyer) | |
| Steve Newman | .... | unit publicist | |
| Ed Nunnery | .... | sculptures designer: Delia's sculptures | |
| Susan Spencer Robbins | .... | assistant: Mr. Hashimoto | |
| Carol Sevilla | .... | script supervisor | |
| Robert Short | .... | creature designer | |
| Barbara Slifka | .... | production executive: Short effects crew (as Barbara Stephans Slifka) | |
| Van Snowden | .... | puppeteer | |
| Fred Spencer | .... | puppeteer | |
| Jane Stewart | .... | researcher | |
| Ramona Villarrial | .... | production accountant (as Ramona Dorene Villarrial) | |
| Mark Bryan Wilson | .... | puppeteer | |
| Michael Peavey | .... | helicopter pilot (uncredited) | |
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| Lemony Snicket's A Series of Unfortunate Events | Hot Fuzz | The Ruling Class | Baby Doll | Freeway |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Watching this one more time on TV yesterday reminded me of the first time I saw it all those years ago at the movies when Tim Burton was just the guy who had directed that funny Pee-wee Herman movie. Walking into 'Beetlejuice' then, without knowing anything about it, was an amazing experience. Along with 'Blade Runner', 'Blue Velvet', 'Videodrome', 'Brazil', 'Paris, Texas', 'The Terminator' and 'Repo Man' it was one of the most astonishing and memorable movies of the 1980s, an era dominated by Hollywood dreck like 'Flashdance', 'Top Gun', and 'Footloose'. The whole Bruckheimer/Simpson/Spielberg/Hughes zeitgeist that dumbed down popular movies as never before. Movies like 'Beetlejuice' were a glimmer of hope in a truly awful period.
The big question is - how does it stand up today? The answer is better than ever! In fact I would argue that 'Beetlejuice' is Tim Burton's most successful and least compromised film. Everything about it is perfect. A great cast lead by the very appealing and likable Alec Baldwin and Geena Davis as the newly dead Maitlands, a star turn by Michael Keaton as the gonzo "bio-exorcist" title character, and strong support from Jeffrey Jones, Catherine O'Hara, and especially Winona Ryder (a performance that really put her on the map), as the new occupants of the Maitlands house. 'Beetlejuice' juggles gruesome, trippy and genuinely witty sequences, and ends up becoming one of the freshest and surreal movies to find a mainstream audience since the heyday of 60s/70s "head" movies. Forget Burton's more recent hit and miss big budget efforts, and try this for the real deal, Luis Bunuel meets Tex Avery meets George Romero, and then some! 'Beetlejuice' is a blast!