The infamous story of Benjamin Barker, AKA Sweeney Todd, who sets up a barber shop down in London which is the basis for a sinister partnership with his fellow tenant, Mrs. Lovett. Based on the hit Broadway musical.
Helena Bonham Carter,
Adam and Barbara are a normal couple...who happen to be dead. They have given their precious time to decorate the house and make it their own, but unfortunately a family is moving in, and not quietly. Adam and Barbara try to scare them out, but ends up becoming the main attraction to the money making family. They call upon Beetlejuice to help, but Beetlejuice has more in mind than just helping. Written by
Although the film is set in Connecticut, it was actually filmed in the small town of East Corinth, Vermont. A small creek which runs though the town was dammed up to provide deeper water for the covered bridge scene. The covered bridge itself was specially built for this scene on Chicken Farm Rd near the village. The Maitland's house was a facade built in a farm field 100 yards uphill from the bridge for exterior shots only. From this hill can be seen the "Nice building" with the "Bad roof" which was actually the town post office. See more »
Between the attic scene where Adam draws the door and the one where they return from seeing Juno there is a bench or table with tied up newspapers along the wall that Barbara was facing when Lydia comes up the stairs, despite no one being in the attic while they were gone (Charles reveals this by not knowing about the model later in the movie) the bench and newspapers have been moved. See more »
I'm feeling a little, ooh, anxious if you know what I mean. It's been about six hundred years after all. I wonder where a guy, an everyday Joe like myself, can find a little *action*.
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It may take two or three viewings to warm up to "Beetlejuice". It has a kooky, cockeyed sensibility and a rhythm that is by turns easy, lazy and frenetic. A charming couple in New England die and come back to their beloved home as ghosts, determined to rid the place of the horrendous new tenants. Possibly the most benign and engaging performance ever by Alec Baldwin; Geena Davis, Winona Ryder and Sylvia Sidney are also very appealing. The new couple from New York who take over the house (Jeffrey Jones and Catherine O'Hara) aren't as well written or thought-out as the other characters and some of their bemused, dry-ice comic lines take a few seconds to reach you. Of course, there's Michael Keaton, wildly comic as Betelgeuse. I recall hearing comments back in 1988 that Keaton wasn't around enough to make the picture worthwhile, but that's only if you watch the film for the fast quips and sight-gags. Keaton is truly wonderful, but he's also bombastic, and I felt there was just enough of him to satisfy--it's really not his story anyway, it belongs to Baldwin and Davis; Betelgeuse is used as a horny, vulgar punchline. Director Tim Burton is very careful not to overload the movie with raunch; he is surprisingly careful in setting up this story, and he works magic within a dubious scenario: a comic fantasy about dead folks which ultimately celebrates life. ***1/2 from ****
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