A medieval nobleman and his squire are accidentally transported to contemporary times by a senile sorcerer. He enlists the aid of his descendent to try to find a way to return home, all the... See full summary »
Adam and Barbara are a normal couple...who happen to be dead. They have given their precious time to decorate the house and make it their own, but unfortunately a family is moving in, and not quietly. Adam and Barbara try to scare them out, but ends up becoming the main attraction to the money making family. They call upon Beetlejuice to help, but Beetlejuice has more in mind than just helping. Written by
During the sequence where Adam and Barbara enter Juno's office and see her speaking to a recently deceased football team, a movie theater full of ghosts can be seen through Juno's office window. When the film was first released in theaters, the scene created the illusion that the audience were themselves being watched by the ghosts. Among the ghosts in the audience are a red skeleton and a green skeleton (identical to the ones seen in Tim Burton's later movie, Mars Attacks! (1996)), a woman with red hair, and two men in suits and Ray-Ban style sunglasses. See more »
When Adam and Barbara first get to their house after dying, we can see their reflection in a mirror in a hallway to the left of them. A couple shots after that we see that they are not supposed to have reflections. See more »
Are you the guys hiding out in the attic?
What do you look like under there?
Aren't you scared?
I'm not scared of sheets. Are you gross under there? Are you Night of the Living Dead under there? Like all bloody veins and pus?
Night of the what?
Living Dead. It's a movie.
You know, if I had seen a ghost at your age I would have been scared out of my wits.
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Keaton steals the show as the title character in this off the wall comedy from director Burton. Baldwin and Davis are two new ghosts who try to scare new occupants of their home out, with the help of "bio exorcist" Keaton. Won a much deserved Oscar for its make up effects.
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