The infamous story of Benjamin Barker, AKA Sweeney Todd, who sets up a barber shop down in London which is the basis for a sinister partnership with his fellow tenant, Mrs. Lovett. Based on the hit Broadway musical.
Helena Bonham Carter,
Adam and Barbara are a normal couple...who happen to be dead. They have given their precious time to decorate their house and make it their own, but unfortunately a family is moving in, and not quietly. Adam and Barbara try to scare them out, but end up becoming the main attraction to the money making family. They call upon Beetlejuice to help, but Beetlejuice has more in mind than just helping. Written by
When Adam and Barbara are in the office, a voice on the PA systems announces the arrival of Flight 409 ("Flight 409 is arriving at Gate 3"). On October 6, 1955 United Airlines Flight 409 crashed into a mountain over Wyoming killing all passengers and crew aboard. It was the worst crash in history to that point. To this day, no one knows why it crashed. See more »
When Barbara tries to leave the house and falls face down in the sand (the sand worm scene), she is clearly wearing knee pads under her dress. See more »
[while Lydia shows them the attic]
Fabulous. 'Otho Fenlock's Locked Door Ghosts' Probably committed suicide up there. I'm totally enchanted.
They're in there? They must live like animals.
It's locked. How'd they get in?
[bangs on the door]
Open this door, you dead people, or we'll bust it down and we'll drag you out by the ropes you hang yourselves with!
Shh! They didn't commit suicide.
It doesn't matter. Lydia, I have a chance to teach you something here: you have got to take the upper hand in ...
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It may take two or three viewings to warm up to "Beetlejuice". It has a kooky, cockeyed sensibility and a rhythm that is by turns easy, lazy and frenetic. A charming couple in New England die and come back to their beloved home as ghosts, determined to rid the place of the horrendous new tenants. Possibly the most benign and engaging performance ever by Alec Baldwin; Geena Davis, Winona Ryder and Sylvia Sidney are also very appealing. The new couple from New York who take over the house (Jeffrey Jones and Catherine O'Hara) aren't as well written or thought-out as the other characters and some of their bemused, dry-ice comic lines take a few seconds to reach you. Of course, there's Michael Keaton, wildly comic as Betelgeuse. I recall hearing comments back in 1988 that Keaton wasn't around enough to make the picture worthwhile, but that's only if you watch the film for the fast quips and sight-gags. Keaton is truly wonderful, but he's also bombastic, and I felt there was just enough of him to satisfy--it's really not his story anyway, it belongs to Baldwin and Davis; Betelgeuse is used as a horny, vulgar punchline. Director Tim Burton is very careful not to overload the movie with raunch; he is surprisingly careful in setting up this story, and he works magic within a dubious scenario: a comic fantasy about dead folks which ultimately celebrates life. ***1/2 from ****
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