The infamous story of Benjamin Barker, AKA Sweeney Todd, who sets up a barber shop down in London which is the basis for a sinister partnership with his fellow tenant, Mrs. Lovett. Based on the hit Broadway musical.
Helena Bonham Carter,
Adam and Barbara are a normal couple...who happen to be dead. They have given their precious time to decorate the house and make it their own, but unfortunately a family is moving in, and not quietly. Adam and Barbara try to scare them out, but ends up becoming the main attraction to the money making family. They call upon Beetlejuice to help, but Beetlejuice has more in mind than just helping. Written by
According to Michael Keaton, the Betelgeuse character was described to him by director Tim Burton as "having lived in every time period but no time period." Keaton used this as the jumping-off point to create the character with such features as a shock hairdo, mold makeup, and large teeth. He said that when he first showed up to the set as Betelgeuse the crew was chanting, "Juice, Juice, Juice." This got Keaton excited to do a lot of improvisation during filming. See more »
Even though Adam and Barbara attempt to scare the Deetzes by altering their appearances, only to find that the living cannot normally see the deceased, later, when they show Juno how they plan on scaring the family again, they go back to altering their bodies, which Juno finds no flaw in. However, she told them to study the "intermediate interface chapter on haunting" and to practice, which, given the shrimp scene, they obviously had been doing both. See more »
As soon as we get settled, we'll build you a dark room in the basement, okay?
My whole life is a dark room. One big dark room.
So you were miserable in New York City, and now you're going to be miserable out here in the sticks. At least someone's life hasn't been upheaved.
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It may take two or three viewings to warm up to "Beetlejuice". It has a kooky, cockeyed sensibility and a rhythm that is by turns easy, lazy and frenetic. A charming couple in New England die and come back to their beloved home as ghosts, determined to rid the place of the horrendous new tenants. Possibly the most benign and engaging performance ever by Alec Baldwin; Geena Davis, Winona Ryder and Sylvia Sidney are also very appealing. The new couple from New York who take over the house (Jeffrey Jones and Catherine O'Hara) aren't as well written or thought-out as the other characters and some of their bemused, dry-ice comic lines take a few seconds to reach you. Of course, there's Michael Keaton, wildly comic as Betelgeuse. I recall hearing comments back in 1988 that Keaton wasn't around enough to make the picture worthwhile, but that's only if you watch the film for the fast quips and sight-gags. Keaton is truly wonderful, but he's also bombastic, and I felt there was just enough of him to satisfy--it's really not his story anyway, it belongs to Baldwin and Davis; Betelgeuse is used as a horny, vulgar punchline. Director Tim Burton is very careful not to overload the movie with raunch; he is surprisingly careful in setting up this story, and he works magic within a dubious scenario: a comic fantasy about dead folks which ultimately celebrates life. ***1/2 from ****
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