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Marco Tullio Giordana
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Her daughter Florence gives Mrs. Deville bull-terrier Baxter as a surprise present. Although she's afraid of him, she doesn't want to give him away because she feels lonely. But Baxter has his own ideas - he longs to be dominated, to be challenged - and so he isn't content with his boring life with the old lady. To get rid of her, he causes an accident. It works, and he's given to the neighbors, a young couple. He's happy... for a while. When they get a baby, he again takes action. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
A maladjusted bull terrier finds the perfect master in a psychotic suburban teenage boy who, when he isn't slapping his hand on thumbtacks to teach himself pain, is busy building a scale replica of Hitler's bunker. Needless to say, the star of this unusual French novelty item is a far cry from Lassie, and the already perverse scenario is made even more strange by maintaining the dog's point of view, with voice-over narration by Baxter himself, a device that could only have worked in a subtitled film. It all adds up to a small cautionary fable about the consequences of neglect and cruelty, to both animals and children, with an implicit critique of fascism summed up by Baxter's last words: "never be obedient". The moral is clear, but the message is mixed, because Baxter's obedience is already selective: his primitive canine instincts can sometimes override his training. But the film certainly has cult potential, and with a concise running time of only 82 minutes it won't likely tax anyone's patience.
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