Wandering minstrel Ashik Kerib falls in love with a rich merchant's daughter, but is spurned by her father and forced to roam the world for a thousand and one nights - but not before he's ... See full summary »

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(as Georgy Badridze), (story "Ashik Kerib the Lovelorn Minstrel")
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Cast

Cast overview:
Yuri Mgoyan
Ramaz Chkhikvadze
Konstantin Stepankov ...
(as Konstantin Adamov)
Veronique Matonidze
Baia Dvalishvili
David Dovlatian
Levan Natroshvili
Slava Stepanian
Nodar Dugladze
Dodo Abashidze
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Storyline

Wandering minstrel Ashik Kerib falls in love with a rich merchant's daughter, but is spurned by her father and forced to roam the world for a thousand and one nights - but not before he's got the daughter to promise not to marry till his return. It's told in typical Paradjanov style overlaid with Armenian folksongs. Written by Michael Brooke <michael@everyman.demon.co.uk>

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Drama

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Release Date:

May 1989 (Soviet Union)  »

Also Known As:

The Hoary Legends of the Caucasus  »

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Trivia

Dedicated to Sergei Parajanov's close friend Andrei Tarkovsky who had died two years before the film was released. See more »

Connections

Featured in Parajanov: The Last Spring (1992) See more »

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User Reviews

 
fractured fairy tale from a remote culture
5 November 2010 | by (United States) – See all my reviews

Another odd, exotic fable from the Soviet Union's most enigmatic filmmaker, set this time in a storybook past where, to win the hand of his true love, a penniless minstrel is forced to wander for a thousand days in search of wisdom and enlightenment. Parajanov is one of the leading figures in his country's so-called 'poetic cinema movement', which means his films are crude, heavily stylized rites of passage, thick with symbols and anachronisms. The naive, almost primitive formality recalls both the ancient, ritual folklore of its Central Asian setting and the cheap conventions of early silent film melodrama, with the Georgian voice-over narration (added on top of Parajanov's post-dubbed Azerbaijani dialogue) giving the film an added level of weirdness. On his magical quest the lovelorn troubadour encounters a blind wedding party, a despotic sultan with a toy machine gun toting harem, a pantomime tiger, and survives various other trials and tribulations, all to a nerve-racking background of wailing Middle Eastern music.


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