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IMDb > Appointment with Death (1988)

Appointment with Death (1988) More at IMDbPro »

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Overview

User Rating:
5.9/10   804 votes
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Director:
Michael Winner
Writers:
Peter Buckman (screenplay)
Agatha Christie (novel)
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Contact:
View company contact information for Appointment with Death on IMDbPro.
Release Date:
15 July 1988 (Sweden) more
Genre:
Crime | Mystery more
Plot:
Emily Boynton, step-mother to the three Boynton children and mother to Ginevra, blackmails the family lawyer... more | add synopsis
NewsDesk:
Oscar Winner Peter Ustinov Dies at 82
 (From WENN. 29 March 2004)

User Comments:
Lots of humor, terrific performances, and exotic locales. more

Cast

  (Cast overview, first billed only)

Peter Ustinov ... Hercule Poirot

Lauren Bacall ... Lady Westholme

Carrie Fisher ... Nadine Boynton

John Gielgud ... Colonel Carbury
Piper Laurie ... Emily Boynton
Hayley Mills ... Miss Quinton
Jenny Seagrove ... Dr. Sarah King
David Soul ... Jefferson Cope

Nicholas Guest ... Lennox Boynton

Valerie Richards ... Carol Boynton
John Terlesky ... Raymond Boynton
Amber Bezer ... Ginevra Boynton
Douglas Sheldon ... Captain Rogers
Michael Sarne ... Healey (as Mike Sarne)
Michael Craig ... Lord Peel
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Additional Details

Runtime:
Germany:96 min | USA:102 min | UK:108 min
Country:
USA
Language:
English
Color:
Color
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Mono
Filming Locations:
Dead Sea, Israel more

Fun Stuff

Trivia:
The last film that Yoram Globus worked with director Michael Winner but not Menahem Golan because both Golan and Winner worked on Winner's next film Bullseye (1990) more
Quotes:
Mrs. Emily Boynton: I never forget anything: not a name, not a face, not an action. more
Movie Connections:
Referenced in "Game-On: (#3.2)" (1998) more

FAQ

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22 out of 24 people found the following comment useful:-
Lots of humor, terrific performances, and exotic locales., 27 September 2000
Author: SanDiego from The Beach

Peter Ustinov's Hercule Poirot returns to it's big screen roots with lavish travelogue scenery and a roster of legendary stars. Long time film star Piper Laurie steals the film as Emily Boynton, a Cruela deVile style evil stepmother, and former prison wardress. Every moment she is on screen is pure delight as she marches around and belts out orders. She has had a great second career in her elder years("Carrie," "Wrestling Ernest Hemingway"). The film begins when her lawyer, Jefferson Cope (David Soul), tells her that her recently deceased rich husband made up a second will that split her inheritance with her grown children, a rather spoiled and naive group of sniveling brats. She knows the lawyer to have a few skeletons in his closet and forces him to burn the will, then announces she is taking her brood on a vacation to the Holy Land. While on holiday she meets up with Lady Westholme (Lauren Bacall.) Bacall is quite good as the American-turned-British member of Parliment. If anyone could stand toe-to-toe with Piper Laurie's over-the-top performance it would be Lauren Bacall, but we see very little interaction between the two grand ladies of cinema. An opportunity missed and for the most part just two women who happen to be on the same tour. To fill out the cast we have Hayley Mills as Lauren Bacall's assistant, John Gielgud underused as the governing legal agent, Colonel Carbury, and a host of capable actors as the usual assembly of suspects in the usual assembly of sub-plots, mostly red-hearings. Ustinov perhaps does a little less sleuthing here than usual and is really not much more than an excuse for the film to be made. In the first hour, the detective overhears just about everything the audience hears merely by the coincidence of having his chair in the right place at the right time. "A gift" he tells one of the suspects. When such a fault in the script is so obvious that the director feels he must give an explanation (a shoddy one at that) to the audience, I suppose the movie moves more into the realm of spoof than mystery. This film does have a lot more humor and entertainment than the other films in the series. Whereas most of the Ustinov-Poirot films tend to be a bit dry and long, "Appointment with Death" is quite breezy and whisps us along a plot that has by now become way too familiar. Without the humor and eccentric performances there would have been little here to warrant a film. Like the 100th episode of "Murder She Wrote" it is no longer important who did it, or who got killed. It's just a lot of fun watching old pros ham it up.

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