Marion is a woman who has learned to shield herself from her emotions. She rents an apartment to work undisturbed on her new book, but by some acoustic anomaly she can hear all that is said in the next apartment in which a psychiatrist holds his office. When she hears a young woman tell that she finds it harder and harder to bear her life, Marion starts to reflect on her own life. After a series of events she comes to understand how her unemotional attitude towards the people around her affected them and herself. Written by
Leon Wolters <wolters@strw.LeidenUniv.nl>
According to the book "Woody: Movies From Manhattan" by Julian Fox, production manager Joe Hartwick and producer Robert Greenhut "were often driven mad by Woody's perfectionism on Another Woman (1988), exemplified by a scene, already shot, which Woody decided to rewrite and shoot again on the very last day of filming". The scene in question ended up being deleted from the film. See more »
Whilst it is true that the tune of Gymnopédie No. 1 is played at the beginning of the film, it is not the piano version but rather the orchestral version orchestrated by Debussy. For some unknown reason, Debussy changed the numbers of the Gymnopédies: thus the orchestral version of Gymnopédie No. 3 bears the tune of Gymnopédie No. 1! See more »
If someone had asked me when I reached my fifties to assess my life, I would have said that I had achieved a decent measure of fulfillment, both personally and professionally. Beyond that, I would say I don't choose to delve.
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The melancholic mood and Gena Rowland's impressing acting are the most important elements of this movie. It's the Ingmar-Bergman type of film, like Interiors`, much more serious and thoughtful than all of Woody Allen's other movies, not at all typical for him. In my opinion, it's even more vivid than Interiors` because there are less people involved and something that happens less and less in Woody Allen's movies there is only one main character. This time, it's the character herself who tells the story which is really unusual for Allen.
By leaving every other trade mark in plot and topics away, Allen concentrates on the intellectual dialogues and the analyses people make about each other. It's characteristic that Marion Post is a professor for philosophy. She automatically analyzes everybody around her, which leads to the fact that they start analyzing her. Her crisis begins, when she learns that people talk about her which, of course, is something completely natural and therefore starts analyzing herself. Her character really impressed me because I know people myself who are exactly like Marion Post. Woody Allen is a brilliant psychologist who watches people precisely and that's why he is able to create such believable characters.
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