2 items from 2016
The title and the connection between his subjects are contained within one gorgeously constructed shot about three-quarters through the film, moving from an upside-down April, trapped on another planet in a Mars simulation, down to the desert with David stuck right there on it, before dissolving beneath the dust to the small hovel tarpaulined off in Rick and Cindy’s sewage tunnel and culminating in the Gollum-like blackness harboring Godfather Lalo.
Five people, four homeless, whose lives stand still.
While the camerawork often frames whichever of the five happens to be on screen in some sort of isolation, either within the confines of a costume space helmet or the tight circle of a drain pipe, the people in the »
- Jacob Oller
Japanese animation is at an interesting crossroads. At home, it’s obviously as big as ever, and there’s a smattering of hardcore otaku across the world. But the filmmakers who won the most acclaim for those movies, in the West at least, have started to drift away — Oscar-winner Hayao Miyazaki has retired, as has his colleague Isao Takahata, with their Studio Ghibli home winding down, while Satoshi Kon passed away five years ago, and “Akira” helmer Katsuhiro Otomo hasn’t made an animated feature in a decade. But there is hope, and some of it is in the form of director Mamoru Hosoda, who’s become one of the most hotly-tipped anime filmmakers of the last few years. Though he came from somewhat ignoble beginnings (his first feature was “Digimon: The Movie,” and he was allegedly fired off Ghibli’s “Howl’s Moving Castle”), he’s consistently impressed with »
- Oliver Lyttelton
2 items from 2016
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