On a journey to find the cure for a Tatarigami's curse, Ashitaka finds himself in the middle of a war between the forest gods and Tatara, a mining colony. In this quest he also meets San, the Mononoke Hime.
In the year 2032, Batô, a cyborg detective for the anti-terrorist unit Public Security Section 9, investigates the case of a female robot--one created solely for sexual pleasure--who slaughtered her owner.
Kaneda is a bike gang leader whose close friend Tetsuo gets involved in a government secret project known as Akira. On his way to save Tetsuo, Kaneda runs into a group of anti-government activists, greedy politicians, irresponsible scientists and a powerful military leader. The confrontation sparks off Tetsuo's supernatural power leading to bloody death, a coup attempt and the final battle in Tokyo Olympiad where Akira's secrets were buried 30 years ago. Written by
Tzung-I Lin <firstname.lastname@example.org>
i'll admit. Compared to the recent crop of anime, the animation in Akira seems a bit dated and rough. But when you consider what came before Akira, and the profound effect it had on all Japanese animators (just look at everything that has come out since that mirrors the same style and themes), this was justifiably groundbreaking stuff when it was originally released.
The film is very violent, and if you're an unfortunate soul who thinks that animation begins and ends with Disney, your eyes will probably be popping out of your head at some of the images. The plot definately requires the viewer to pay attention since it works with various themes on a lot of different levels to successfully propel the film to it's shocking and over-the-top conclusion.
A true classic in every since of the word and a great starting point for people wanting to get into Japanese animation. And anyone wanting to see where the current crop of anime is derived from, here it is..........
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