In the year 2032, Batô, a cyborg detective for the anti-terrorist unit Public Security Section 9, investigates the case of a female robot--one created solely for sexual pleasure--who slaughtered her owner.
On a journey to find the cure for a Tatarigami's curse, Ashitaka finds himself in the middle of a war between the forest gods and Tatara, a mining colony. In this quest he also meets San, the Mononoke Hime.
"Memories" is made up of three separate science-fiction stories. In the first, "Magnetic Rose," four space travelers are drawn into an abandoned spaceship that contains a world created by ... See full summary »
Kaneda is a bike gang leader whose close friend Tetsuo gets involved in a government secret project known as Akira. On his way to save Tetsuo, Kaneda runs into a group of anti-government activists, greedy politicians, irresponsible scientists and a powerful military leader. The confrontation sparks off Tetsuo's supernatural power leading to bloody death, a coup attempt and the final battle in Tokyo Olympiad where Akira's secrets were buried 30 years ago. Written by
Tzung-I Lin <email@example.com>
The 1940s-style song heard following the terrorist bombing is "Tokyo Shoe Shine Boy", released in 1951 by jazz singer Teruko Akatsuki. The song was not included in either the Japanese or American releases of the soundtrack; however, it had previously appeared on the release of the soundtrack from MASH (1970). See more »
During the Streamline Pictures dub, Takashi tells Tetsuo that if and when he awakens Akira, "no one can stop us". This incorrectly implies that the espers want to cause destruction alongside Akira. This error does not apply to the Japanese version or the Pioneer dub, where Takashi says that no one will "stop him" (referring to Akira). See more »
I'm not that much older than you, so don't call me pops or you'll find yoursef polishin' my boots with your tongue!
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The date of the first coming of Akira is the exact same date as it was released originally in Japan. See more »
An animated masterpiece, without the sing-alongs of Disney fare
It amuses me that so many people are appalled by the "graphic violence" of this film when they are the ones who will turn around and glorify a movie like "Silence of the Lambs" simply because it is live-action. Akira completely dispels the myth that animation must be replete with characters who are super-deformed and randomly break into song. This is a true emotional experience the likes of which Hollywood could not duplicate even if it tried.
A gang of young motorcyclists get involved in a government plot involving the resurrection of "Akira," a force which once laid waste to Tokyo. Now, in the Neo-Tokyo of the future, the youngest and lowliest of the gang, Tetsuo, ends up harnessing this extremely destructive power and goes on a rampage of telepathic mayhem to earn the fear of those who once bullied him relentlessly. Beneath the violence in this movie lies the very touching story of this young man and his reconciliation with Keneda, his best friend.
One of the most moving scenes in the film is a flashback that shows the first meeting between the two when they were very young. Though the other kids had bullied and harassed Tetsuo, Keneda was there to stick up for his now lifelong friend. If those who watch Akira can discard their preconceived notions of what animation should be, they will find one of the most exciting, emotional, and rewarding films they will ever have the fortune of seeing.
As a special side note, I personally prefer the dubbed version, which is executed very well by a talented cast of voice actors. My favorite line in the movie belonged to the Colonel: "They don't teach tact at the academy." Though it was adapted from a huge body of manga work, Akira was executed perfectly, being directed by its original creator, Katsuhiro Otomo.
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