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Akira (1988)

8.1
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Ratings: 8.1/10 from 79,805 users   Metascore: 76/100
Reviews: 398 user | 136 critic | 4 from Metacritic.com

A secret military project endangers Neo-Tokyo when it turns a biker gang member into a rampaging psionic psychopath that only two kids and a group of psionics can stop.

Director:

(as Katsuhiro Otomo)

Writers:

(screenplay), (screenplay), 1 more credit »
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Title: Akira (1988)

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Edit

Cast

Cast overview, first billed only:
Mitsuo Iwata ...
Kaneda (voice)
Nozomu Sasaki ...
Tetsuo (voice)
Mami Koyama ...
Kei (voice)
Tesshô Genda ...
Ryu (voice) (as Tetsusho Genda)
Hiroshi Ôtake ...
Nezu (voice) (as Hiroshi Otake)
Kôichi Kitamura ...
Miyako / Council 1 (voice)
Michihiro Ikemizu ...
Inspector / Council 8 (voice)
Yuriko Fuchizaki ...
Kaori (voice)
Masaaki Ôkura ...
Yamagata (voice)
Tarô Arakawa ...
Watanabe / Council 7 / Army (voice)
Takeshi Kusao ...
Kai (voice)
Kazumi Tanaka ...
Army (voice)
Masayuki Katô ...
Sakiyama / Council 4 (voice)
Yôsuke Akimoto ...
Barkeep (voice)
Masato Hirano ...
Yûji / Council 6 / Spy (voice)
Edit

Storyline

Kaneda is a bike gang leader whose close friend Tetsuo gets involved in a government secret project known as Akira. On his way to save Tetsuo, Kaneda runs into a group of anti-government activists, greedy politicians, irresponsible scientists and a powerful military leader. The confrontation sparks off Tetsuo's supernatural power leading to bloody death, a coup attempt and the final battle in Tokyo Olympiad where Akira's secrets were buried 30 years ago. Written by Tzung-I Lin <tzung@hugo.att.com>

Plot Summary | Plot Synopsis

Taglines:

Signal Traced to Tokyo! See more »


Motion Picture Rating (MPAA)

Rated R for graphic violence and brief nudity | See all certifications »

Parents Guide:

 »
Edit

Details

Official Sites:

Country:

Language:

Release Date:

24 July 2001 (USA)  »

Also Known As:

Akira: The Special Edition  »

Box Office

Budget:

JPY 1,100,000,000 (estimated)

Gross:

$439,162 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(70 mm prints)| (re-release)| (35 mm prints)| (2001 re-issue)

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Because Madman Entertainment Pty. Ltd. licensed Akira through Manga Entertainment rather than Pioneer/Geneon, the Australian DVD release of Akira has both the original Streamline dub (which Manga has the license to) and Pioneer/Geneon's new English dub. See more »

Goofs

Kai's socks appear to change color a number of times throughout the film, often from shot to shot within the same scene. See more »

Quotes

Tetsuo: [shouting] I'm not Akira!
See more »

Crazy Credits

The date of the first coming of Akira is the exact same date as it was released originally in Japan. See more »

Connections

References Carrie (1976) See more »

Soundtracks

Tokyo Shoeshine Boy
Performed by Teruko Akatsuki
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Trademark Manga for the Western culture
23 October 2001 | by (Australia) – See all my reviews

Without a doubt the necessary injection of Manga culture Western audiences needed. Personal objections (or should I say appraisals) aside, Akira deconstructs the form of narrative and character development that we had all become accustomed to through Hollywood and produces a reasonably honest translation of Katsuhiro Otomo's Manga epic, with mass deletions of unnecessary characters and plot avenues. The story is complex enough to keep western audiences attention, yet simple enough to digest whilst taking in the wonderfull animation and excellent soundtrack (a collection of traditional Japanese instruments and modern day synthesised electronica that allow for elements of cinema to establish themselves for the audience) The conflict between the two main characters, Tetsuo and Kaneda is ultimately superceded by the films namesake, the mystery of the boy Akira, and as with very few films Hollywood produces it leaves it's more labour intensive thinking until the end. A delight to follow, with periods of intense action and thought provoking predictions of a neo society, one would like to think of the film as the pipe dream of one who predicted such tragic events as of September 11. Akira, whilst violent for the medium, is a lush metropolis of gang warfare, a psuedo examination into the possible, and a fantasy tale of elements long lost in modern cinema. A cool, entertaining piece littered with cult visions and awesome bikes.


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