In New York City, a young man searches for the "master" to obtain the final level of martial arts mastery known as the glow. Along the way, he must fight an evil martial arts expert and ... See full summary »
Joe Huff is a tough, go-it-alone cop with a flair for infiltrating dangerous biker gangs. The FBI blackmail Joe into an undercover operation to convict some extremely violent bikers, who ... See full summary »
Craig R. Baxley
A security man (Weathers) goes to work for a sadistic gangster (Williams) with an alluring wife (McKee). Of course, the wife and the security man immediately hit it off. After the gangster ... See full summary »
Billy Dee Williams,
On Christmas Eve Johnny Modine's father is murdered by a psycho cut-throat. The cop swears bloody revenge, though he's taken off the case. He doesn't suspect yet that he's also target in a ... See full summary »
Jack Caine (Dolph Lundgren) is a Houston vice cop who's forgotten the rule book. His self-appointed mission is to stop the drugs trade and the number one supplier Victor Manning. Whilst ... See full summary »
Craig R. Baxley
This movie features a character who is a descendant of the character played by Steve McQueen in the television series of the same name. And like McQueen's Josh Randall, Hauer's Nick Randall... See full summary »
Jericho "Action" Jackson is a Detroit police sergeant who was demoted from lieutenant for almost tearing the arm off of sexually violent sociopath Sean Dellaplane, whose father is Peter Dellaplane, a major car manufacturer. But Dellaplane himself is violent as well. Dellaplane kills his wife Patrice by shooting her. And then he plants her body in Jackson's apartment, framing Jackson. Dellaplane won't miss Patrice very much, because he has a drug-addicted mistress named Sydney Ash. He keeps Sydney hooked with a free supply of heroin. Jackson suspects Dellaplane of masterminding a murder spree against local officials from the auto workers' union. Dellaplane's mission is to gain a political power base and choose the next president of the United States. Because of what happened to Dellaplane's son Sean, Dellaplane has taken a particular dislike to Jackson. Jackson gets Sydney's help in going after Dellaplane. Written by
When Jackson is taken captive at the Pool Hall, Sydney (Vanity) comes to his aid with a cover story about him being delusional and thinking that he was a "Holy messenger." In a slight twist of Irony, in the 1990's Vanity cast off her stage name and became an Evangelist (Messenger) for the Christian Faith. See more »
When Carl Weathers and Vanity jump out of the hotel window to escape the police and onto the roof of his convertible parked in an alley, their impact reveals the mattresses inside the car covered with black cloth which comes undone at the rear window. You can also see the scaffolding at the bottom of the scene for the camera, also protected with a mattress. See more »
Forget about Apollo Creed from "Rocky" and Dillon from "Predator", the ultimate Carl Weathers feature is "Action Jackson" why because he is the "star". He plays a cop not an ordinary cop, but one that has a reputation of doing things his way. Is that out of the ordinary? Ah who cares? Weathers in good fun in the tough as nails role. This time the action is set in Detroit and Weathers finds himself up against a wide-eyed Craig T Nelson. I don't know, but it felt like Nelson was always in some staring competition. It was those unblinking eyes. Truly a fitting bad-ass villainous turn; Hateful, smarmy and he knew how to work his charm. Who does he have working for him; quick moving assassins who look like they are out of some 80s rock band. Bad hair, reflective sunnies and little to say. Maybe it's their second job in between gigs, as they do seem to go missing midway through the film. There are some familiar faces in the cast too; ex-model / singer Vanity gives a sultry performance as a nightclub singer (with a steamy soundtrack to boot), Bill Duke as the hardened police captain that's always on Jackson's back, a unhinged Robert Davi as an old friend and a minor turn by Sharon Stone.
The ludicrously pulpy story doesn't break any new ground (sometimes a little too makeshift and contrived), but it's gloriously violent, equipped with smart-lipped one-liners and works in some exciting action set-pieces (Ferrari driving in a mansion) within its urban backdrop thanks to Craig R Baxley's rigidly confident direction.
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