A young and impatient stockbroker is willing to do anything to get to the top, including trading on illegal inside information taken through a ruthless and greedy corporate raider who takes the youth under his wing.
Sarah Tobias goes to her local bar and is gang-raped by three men. The district attorney on the case is Katheryn Murphy who wants to prove that although Sarah had taken drugs that night and was acting provocatively while in the bar, this is no reason for her to be so brutally attacked and the men responsible should be brought to justice. Written by
Sami Al-Taher <firstname.lastname@example.org>
Upon seeing a pre-screening of the film, Jodie Foster thought her performance as Sarah Tobias was so awful that she immediately began preparing for and taking the GRE's for graduate school. She was prepared to leave her film career behind and focus on academia...until she won the Academy Award for her performance. See more »
When Sarah, after the rape, goes back to The Mill, her red car is first shown dry and shiny and without a rear license plate. A few seconds later, in a close-up shot, we see the same car is wet from rain drops and with the license plate 'SXY SADI' on the back. See more »
a serious and troubling study of sexism at its worst
The shocking true story of a bar room gang rape is lifted from the headlines to become, with dramatic license, a serious and troubling study of sexism at its worst, when the victim herself is accused of 'asking for it'. Jodie Foster offers a courageous performance as the tough but vulnerable Sarah Tobias, whose behavior on the night of the crime was certainly provocative, but as the flashback re-enactment shows all too clearly no amount of provocation could justify such a brutal response. Up until those final scenes the film is a well-crafted but largely conventional topical drama, with lots of predictable bonding between Foster and her conscience stricken attorney Kelly McGillis. But the attack itself, teasingly saved until the final reel, is so graphic and degrading it obliterates the memory of everything that happened earlier. The scene is pure exploitation, but it serves a purpose, putting audiences in the same, ugly position as the cheering onlookers in the bar, who in many ways were even guiltier than the rapists themselves.
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