Dede is a sole parent trying to bring up her son Fred. When it is discovered that Fred is a genius, she is determined to ensure that Fred has all the opportunities that he needs, and that ... See full summary »
Struggling to recover emotionally from a brutal assault that killed her fiancé and left her in a coma, a radio personality begins a quest for vengeance against the perpetrators that leaves a bloody trail across New York City.
San Francisco heiress Page Forrester is brutally murdered in her remote beach house. Her husband Jack is devastated by the crime but soon finds himself accused of her murder. He hires ... See full summary »
Sarah Tobias goes to her local bar and is gang-raped by three men. The district attorney on the case is Katheryn Murphy who wants to prove that although Sarah had taken drugs that night and was acting provocatively while in the bar, this is no reason for her to be so brutally attacked and the men responsible should be brought to justice. Written by
Sami Al-Taher <firstname.lastname@example.org>
Astrology is discussed four times in the movie. See more »
When Sarah, after the rape, goes back to The Mill, her red car is first shown dry and shiny and without a rear license plate. A few seconds later, in a close-up shot, we see the same car is wet from rain drops and with the license plate 'SXY SADI' on the back. See more »
Ladies and Gentleman, Mr. Paulson has told you the testimony of Sarah Tobias is nothing. Sarah Tobias was raped but that is nothing. She was cut, bruised, and terrorized but that is nothing. All of it happened in front of a howling crowd and that is nothing. Well, it may be nothing to Mr. Paulson, but it is not nothing to Sarah Tobias and I don't believe it's nothing to you. Next, Mr. Paulson tried to convince you that Kenneth Joyce was the only one in that room who knew that Sarah Tobias was ...
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a serious and troubling study of sexism at its worst
The shocking true story of a bar room gang rape is lifted from the headlines to become, with dramatic license, a serious and troubling study of sexism at its worst, when the victim herself is accused of 'asking for it'. Jodie Foster offers a courageous performance as the tough but vulnerable Sarah Tobias, whose behavior on the night of the crime was certainly provocative, but as the flashback re-enactment shows all too clearly no amount of provocation could justify such a brutal response. Up until those final scenes the film is a well-crafted but largely conventional topical drama, with lots of predictable bonding between Foster and her conscience stricken attorney Kelly McGillis. But the attack itself, teasingly saved until the final reel, is so graphic and degrading it obliterates the memory of everything that happened earlier. The scene is pure exploitation, but it serves a purpose, putting audiences in the same, ugly position as the cheering onlookers in the bar, who in many ways were even guiltier than the rapists themselves.
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