Dede is a sole parent trying to bring up her son Fred. When it is discovered that Fred is a genius, she is determined to ensure that Fred has all the opportunities that he needs, and that ... See full summary »
Mark Harmon is a washed-up baseball player who is called back home to handle the ashes of his childhood sweetheart/ first love who had committed suicide. As he searches for what to do with ... See full summary »
Workaholic attorney Bob O'Hara (Asner) is devastated when his wife (Hartley) dies suddenly. She returns to "haunt" him, however, (a la "Topper") and her mission is to persuade him to slow ... See full summary »
WWII. In German occupied Paris, Helene is torn between the love for her boyfriend Jean, working for the resistance and the German administrator Bergmann, who will do anything to gain her ... See full summary »
Sarah Tobias goes to her local bar and is gang-raped by three men. The district attorney on the case is Katheryn Murphy who wants to prove that although Sarah had taken drugs that night and was acting provocatively while in the bar, this is no reason for her to be so brutally attacked and the men responsible should be brought to justice. Written by
Sami Al-Taher <email@example.com>
When Sarah, after the rape, goes back to The Mill, her red car is first shown dry and shiny and without a rear license plate. A few seconds later, in a close-up shot, we see the same car is wet from rain drops and with the license plate 'SXY SADI' on the back. See more »
This is what the jury is going to see. And they are going to see the girl too and you can't tell it from these. But she's tiny. She's the most defenceless looking thing you you ever saw.
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I saw this film with my girlfriend about a year after I graduated from college, where I had lived in the alpha-male, females-as-accessories environment of a fraternity house. While I know of nothing that went on in my fraternity that compares to the horrible events of this film, I was struck that some of the beer-fueled conversations I had with my fraternity brothers could have led to the same results with more likelihood than I realized at the time (or care to admit even to this day). Suffice it to say, I cried all the way home from this movie, as much from shame as anything else.
Twelve years later, I still cannot recall being as horrifyingly struck by a scene as I was during the rape scene at the end of "The Accused" -- and I definitely do not have the stomach to see it again. The movie, in my view, is exceedingly well-acted (Foster's Oscar was well-deserved) and well-told. It has the rare gift of touching the viewer viscerally for the entire duration -- discomfort being the feeling.
This isn't virtuoso film-making like "The Godfather", but at the same time I can think of no greater compliment for a movie than it truly opened my eyes to a new perspective that I was not mature enough to grasp on my own. I left the theater a different person -- how often can that be said?
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