After a young woman suffers a brutal rape in a bar one night, a prosecutor assists in bringing the perpetrators to justice, including the ones who encouraged and cheered on the attack.
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A young and impatient stockbroker is willing to do anything to get to the top, including trading on illegal inside information taken through a ruthless and greedy corporate raider who takes the youth under his wing.
Director:
Oliver Stone
Stars:
Charlie Sheen,
Tamara Tunie,
Franklin Cover
In 1970s America, a detective works to bring down the drug empire of Frank Lucas, a heroin kingpin from Manhattan, who is smuggling the drug into the country from the Far East.
Director:
Ridley Scott
Stars:
Denzel Washington,
Russell Crowe,
Chiwetel Ejiofor
A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.
Director:
Sergio Leone
Stars:
Robert De Niro,
James Woods,
Elizabeth McGovern
Cornered by the DEA, convicted New York drug dealer Montgomery Brogan reevaluates his life in the 24 remaining hours before facing a seven-year jail term.
Director:
Spike Lee
Stars:
Edward Norton,
Philip Seymour Hoffman,
Barry Pepper
Sarah Tobias goes to her local bar and is gang-raped by three men. The district attorney on the case is Katheryn Murphy who wants to prove that although Sarah had taken drugs that night and was acting provocatively while in the bar, this is no reason for her to be so brutally attacked and the men responsible should be brought to justice. Written by
Sami Al-Taher <staher2000@yahoo.com>
The film's original title was "Reckless Endangerment", which is the charge the accused rapists initially plea-bargain their convictions down to. See more »
Goofs
When Sarah, after the rape, goes back to The Mill, her red car is first shown dry and shiny and without a rear license plate. A few seconds later, in a close-up shot, we see the same car is wet from rain drops and with the license plate 'SXY SADI' on the back. See more »
Quotes
Kathryn Murphy:
Listen again..."A person is guilty of criminal solicitation if he commands, induces, entreats or otherwise persuades another person to commit a felony-"
D.A. Paul Rudolph:
You can read it to me until you're blue in the face, I am not gonna let you prosecute a bunch of spectators -
Kathryn Murphy:
[cutting him off]
They're not spectators. They solicited the rape.
D.A. Paul Rudolph:
Do you really want to ask a jury to lock up a bunch of people for clapping and cheering?
Kathryn Murphy:
Clapping? Cheering? Pushing? Goading? Getting the rape going and keeping it going...
D.A. Paul Rudolph:
Kathryn Murphy:
D.A. Paul Rudolph:
Kathryn Murphy:
D.A. Paul Rudolph:
[...] See more »
"Middle Of Nowhere"
By Gina Schock & Vance DeGeneres
Performed by House of Schock
Courtesy of Capitol Records, Inc.
Special Markets Division See more »
I saw this film with my girlfriend about a year after I graduated from college, where I had lived in the alpha-male, females-as-accessories environment of a fraternity house. While I know of nothing that went on in my fraternity that compares to the horrible events of this film, I was struck that some of the beer-fueled conversations I had with my fraternity brothers could have led to the same results with more likelihood than I realized at the time (or care to admit even to this day). Suffice it to say, I cried all the way home from this movie, as much from shame as anything else.
Twelve years later, I still cannot recall being as horrifyingly struck by a scene as I was during the rape scene at the end of "The Accused" -- and I definitely do not have the stomach to see it again. The movie, in my view, is exceedingly well-acted (Foster's Oscar was well-deserved) and well-told. It has the rare gift of touching the viewer viscerally for the entire duration -- discomfort being the feeling.
This isn't virtuoso film-making like "The Godfather", but at the same time I can think of no greater compliment for a movie than it truly opened my eyes to a new perspective that I was not mature enough to grasp on my own. I left the theater a different person -- how often can that be said?
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I saw this film with my girlfriend about a year after I graduated from college, where I had lived in the alpha-male, females-as-accessories environment of a fraternity house. While I know of nothing that went on in my fraternity that compares to the horrible events of this film, I was struck that some of the beer-fueled conversations I had with my fraternity brothers could have led to the same results with more likelihood than I realized at the time (or care to admit even to this day). Suffice it to say, I cried all the way home from this movie, as much from shame as anything else.
Twelve years later, I still cannot recall being as horrifyingly struck by a scene as I was during the rape scene at the end of "The Accused" -- and I definitely do not have the stomach to see it again. The movie, in my view, is exceedingly well-acted (Foster's Oscar was well-deserved) and well-told. It has the rare gift of touching the viewer viscerally for the entire duration -- discomfort being the feeling.
This isn't virtuoso film-making like "The Godfather", but at the same time I can think of no greater compliment for a movie than it truly opened my eyes to a new perspective that I was not mature enough to grasp on my own. I left the theater a different person -- how often can that be said?