| Videos (see all 2) |
| William Hurt | ... | Macon Leary | |
| Kathleen Turner | ... | Sarah Leary | |
| Geena Davis | ... | Muriel Pritchett | |
| Amy Wright | ... | Rose Leary | |
| David Ogden Stiers | ... | Porter Leary | |
| Ed Begley Jr. | ... | Charles Leary | |
| Bill Pullman | ... | Julian | |
| Robert Hy Gorman | ... | Alexander Pritchett (as Robert Gorman) | |
| Bradley Mott | ... | Mr. Loomis | |
| Seth Granger | ... | Ethan Leary | |
| Amanda Houck | ... | Debbie | |
| Caroline Houck | ... | Dorrie | |
| London Nelson | ... | Caroline | |
| Gregory Gouyer | ... | Paris Boy | |
| Bill Lee Brown | ... | Morgue Detective #1 (as W.H. Brown) | |
| Donald Neal | ... | Morgue Detective #2 | |
| Peggy Converse | ... | Mrs. Barrett | |
| Maureen Kerrigan | ... | Laura Canfield | |
| Jake Kasdan | ... | Scott Canfield (as Jacob Kasdan) | |
| Paul Williamson | ... | London Hotel Manager | |
| Walter Sparrow | ... | Hot Dog Vendor | |
| Todd J. Adelman | ... | Macon's Doctor (as Todd Adelman) | |
| Meg Kasdan | ... | Receptionist | |
| David Q. Combs | ... | Minister (as David Combs) | |
| Jon Kasdan | ... | Boy at Doctor's Office (as Jonathan Kasdan) | |
| Thomas Paolucci | ... | Taunting Boy | |
| Neana N. Collins | ... | Taunting Girl | |
| Roland Riallot | ... | Paris Taxi Driver | |
| Audrey Rapoport | ... | Girl on Plane (as Audrey R. Rapoport) | |
| rest of cast listed alphabetically: | |||
| Aaron Michael Lacey | ... | Restaurant Patron (uncredited) | |
Directed by | |||
| Lawrence Kasdan | |||
Writing credits(WGA) | ||
| Anne Tyler | (book) | |
| Frank Galati | (screenplay) and | |
| Lawrence Kasdan | (screenplay) | |
Produced by | |||
| Phyllis Carlyle | .... | executive producer | |
| Michael Grillo | .... | producer | |
| Lawrence Kasdan | .... | producer | |
| John Malkovich | .... | executive producer | |
| Charles Okun | .... | producer | |
Original Music by | |||
| John Williams | |||
Cinematography by | |||
| John Bailey | |||
Film Editing by | |||
| Carol Littleton | |||
Casting by | |||
| Wallis Nicita | |||
Production Design by | |||
| Bo Welch | |||
Art Direction by | |||
| Tom Duffield | |||
Set Decoration by | |||
| Cricket Rowland | |||
Costume Design by | |||
| Ruth Myers | |||
Makeup Department | |||
| Vincent Callaghan | .... | makeup artist: Baltimore (as Vincent Callahan) | |
| Leonard Engelman | .... | makeup artist | |
| Lynda Gurasich | .... | hair stylist | |
Production Management | |||
| Jean-Yves Asselin | .... | unit manager: Paris | |
| Véronique Bourboulon | .... | assistant unit manager: Paris (as Veronique Bourboulon) | |
| Richard Dobson | .... | production manager: London | |
| Charles Okun | .... | unit production manager | |
| Daniel Szuster | .... | production manager: Paris | |
| Sylvie Duluc | .... | assistant unit manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Dominique-Anne Arquillier | .... | second assistant director: Paris | |
| Eric Bartonio | .... | first assistant director: Paris | |
| Carey Dietrich | .... | second second assistant director | |
| Stephen P. Dunn | .... | second assistant director (as Stephen Dunn) | |
| Paul Frift | .... | second assistant director: London | |
| Michael Grillo | .... | first assistant director | |
| Simon Hinkly | .... | first assistant director: London | |
| Wendy Peterson | .... | dga trainee (as Wendolyn Peterson) | |
Special Effects by | |||
| Joseph P. Mercurio | .... | special effects (as Joe Mercurio) | |
Stunts | |||
| Boone Narr | .... | stunts | |
Casting Department | |||
| Françoise Guernier | .... | casting: Paris | |
| Mary Selway | .... | casting: London | |
| Marlène Tommasi | .... | extras casting: Paris (as Marlene Tommasi) | |
| Joanne Zaluski | .... | casting associate | |
Costume and Wardrobe Department | |||
| Norman A. Burza | .... | key costumer (as Norman Burza) | |
| Brenda Dabbs | .... | wardrobe: London | |
| Linda Matthews | .... | costumer: women | |
| Germinal Rangel | .... | wardrobe: Paris | |
| Constance West | .... | costumer: women | |
Editorial Department | |||
| Lisa Zeno Churgin | .... | assistant film editor (as Lisa Churgin) | |
| Raúl Dávalos | .... | assistant film editor (as Raul Davalos) | |
| Robert Raring | .... | color timer (as Bob Raring) | |
Music Department | |||
| Herbert W. Spencer | .... | orchestrator (as Herb Spencer) | |
| Dan Wallin | .... | music score mixer | |
| Kenneth Wannberg | .... | music editor (as Ken Wannberg) | |
| John Rotondi | .... | scoring engineer: Y4 (uncredited) | |
| James Thatcher | .... | musician: French horn (uncredited) | |
Transportation Department | |||
| Tino Caira | .... | transportation captain | |
| James E. Foote | .... | transportation coordinator | |
| Arnold Stone | .... | transportation captain | |
| James Sweeney | .... | transportation coordinator: Baltimore | |
| Foard J. Wilgis | .... | transportation captain: Baltimore (as Foard Wilgis) | |
| Michael Luckeroth | .... | driver (uncredited) | |
| Prentis Woods | .... | driver (uncredited) | |
Other crew | |||
| Todd J. Adelman | .... | first aid (as Todd Adelman) | |
| Andy Andrews | .... | production accountant: London | |
| Christine Baer | .... | assistant to producers | |
| Steph Benseman | .... | location manager | |
| Billy Brashier | .... | location projectionist: Baltimore | |
| Jean-Jacques Damiani | .... | location manager: Paris | |
| Isabelle Dassonville | .... | production coordinator: Paris | |
| Jimmy Davis | .... | office assistant | |
| Andrew M. Flinn | .... | office assistant: Baltimore (as Andy Flinn) | |
| Sara Gardner-Gail | .... | office assistant: Baltimore (as Sara Gardner) | |
| Julie Glanfield | .... | production contact: London | |
| Nigel Gostelow | .... | loaction manager: London | |
| Granville Greene | .... | office assistant: Baltimore | |
| Sally Hayman | .... | production coordinator: London | |
| Kevin Kertscher | .... | office assistant: Baltimore | |
| Fenella Maguire | .... | auditor: Paris | |
| Gail Martin-Sheridan | .... | production accountant (as Gail P. Martin) | |
| David J. McMillan | .... | animal trainer (as Dave McMillan) | |
| Boone Narr | .... | animal trainer | |
| David O'Ferrall | .... | office assistant: Baltimore | |
| Grant Olson | .... | craft service | |
| Audrey Rapoport | .... | assistant: Lawrence Kasdan | |
| Anne Rapp | .... | script supervisor | |
| Danis Regal-O'Connell | .... | production secretary (as Danis Regal O'Connell) | |
| Stacy Starr | .... | office assistant: Baltimore | |
| Anne Marie Stein | .... | unit publicist | |
| Kimberly Street | .... | location contact: Baltimore | |
| Ann Tasker | .... | unit publicist: London | |
| Laurie Arnow-Epstein | .... | construction accountant (uncredited) | |
| Patrick Boshart | .... | location scout (uncredited) | |
| Pam Ellington | .... | first assistant production accountant (uncredited) | |
| Elise Ganz | .... | welfare/studio teacher (uncredited) | |
| William L. Wright | .... | stand-in (uncredited) | |
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| Gone with the Wind | In Her Shoes | The Ghost and Mrs. Muir | Elizabethtown | Letter from an Unknown Woman |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
The Accidental Tourist is a quiet and contemplative film that adults rarely have an opportunity to experience from an American perspective. Macon (William Hurt) is a Baltimore travel writer whose son was accidentally killed in a robbery. His wife Sarah (Kathleen Turner) leaves him when Macon withdraws to a somnambulist response, a favored routine to life that is Macon's family way. Macon's brothers (Ed Begley, Jr. and David Ogden-Stiers) are 40+ year old bachelors and living with their spinster sister, Rose in the family home. With the addition of the now separated Macon, the siblings are reduced to an eccentric routines of alphabetizing the pantry and discussions of who could be calling while the phone rings.
Into Macon's sedentary and uneventful pattern comes Muriel Pritcherd (Geena Davis), a dog trainer who takes hold of Edward, Macon's misbehaving Corgi, and inserts herself into their lives. A latent Annie Hall dresser whose mismatched clothing and late 50s car screams woman of a certain age with free spirit tendencies, Muriel gives new options to Macon through her unpredictable character and a small son, who takes immediately to him. Edward the dog even manages to behave and the little family becomes a new and invigorating experience for Macon, whose own relatives have long ago lost any sense of independence or initiative. With the unheard of occasion of the spinster sister's wedding to Macon's publisher, (Bill Pullman), Macon and Sarah are reunited and Muriel is dropped for the familiar situation of a convenient reconciliation. When Macon's work takes him to Paris, Muriel accidentally finds they are on the same plane and hotel. Although he is reluctant to interact with her, Muriel is storming the walls of resistance as before. Macon's situation is made more complicated with the appearance of his ex-wife, whose presence is both familiar and upsetting to a Macon-Muriel-Sarah menage.
How this trio resolves the situation is filled with wonderful and literate conversations between characters which ring true to the adult situation of marriage and changing lives, goals, and the unexpected. For an American film this kind of complex story telling is almost a lost art in today's car chase, adolescent fart humour, and situational absurdities. However, with long silences and occasional comic relief from the dog, the film is both contemplative and entertaining as it unfolds with bittersweet truisms.