The gruesome murder of a Brooklyn Detective will turn the case into a personal vendetta when the deceased's best friend and fellow officer will unleash an all-out attack against a psychotic Mafia enforcer's brutal gang.
Casey Ryback hops on a Colorado to LA train to start a vacation with his niece. Early into the trip, terrorists board the train and use it as a mobile HQ to hijack a top secret destructive US satellite.
Environmental protection agent Jack Taggart is fighting big business types led by Orin Hanner who are dumping toxic waste somewhere in the Kentucky hills region. They also killed his fellow... See full summary »
Félix Enríquez Alcalá
This movie tells the story of a man who goes undercover in a hi-tech prison to find out information to help prosecute those who killed his wife. While there he stumbles onto a plot involving a death-row inmate and his $200 million stash of gold.
Don Michael Paul
In Japan, the Sicilian martial arts expert Nicolo "Nico" Toscani is recruited by the CIA Special Agent Nelson Fox to join the Special Operations Forces in the border of the Vietnam and Cambodia. In 1973, Nico witnesses the torturer Kurt Zagon interrogating prisoners of war and he is disgusted and quits the CIA, returning to Chicago. Fifteen years later, Nico is married with a baby with his wife Sarah and they live in the same house of his mother. Nico is a tough and incorruptible narcotics detective of the Chicago Police Department very close to his partner and friend Delores 'Jacks' Jackson and his friend Detective Lukich. When Nico and Jacks investigate a drug traffic operation, they arrest the gang of the drug dealer Tony Salvano but they find that they are smuggling the plastic explosive C4 instead. However there is an interference of the FBI and Salvano and his partner are released by FBI Agent Neeley (Nicholas Kusenko) and the detectives are forbidden of proceed with the ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Steven Seagal and Daniel Faraldo went on a ride-along with real Chicago detectives to prepare for the movie. Faraldo said Seagal scared the criminals more than the cops did. See more »
When Nico is backing up in the parking garage shootout near the end of the movie, the character Salvano is on the back of the car as it crashes through the building wall. As Salvano falls you can easily see it is a dummy falling. See more »
You know something Fox. Right now in Europe they're trying some 80 year-old camp guard for Nazi war crimes. And all around our country they got guys on death row for murdering 1, 2, 3 guys. And they probably deserve what they're going to get. But you & I... we know a couple of people that are personally responsible for the death of what, 50,000 non-military personnel? Librarians, teachers, doctors, women, children. All dead! We've wiped-out entire cultures! And for what? Not one C.I.A. agent ...
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I was watching television the other day, just flipping through the channels when I came upon 'Above the Law'. I hadn't seen this movie in years, and was anxious to watch it again. I must say that I was impressed. I believe it deserves no less than a 9/10. Why? The martial arts in superb as well as the action in general. Moreover, this movie operates on many different levels of meaning.
M.A. Rogers, in his commentary believes that Seagal's behavior contradicts his affirmation that nobody is above the law. This is not so. I believe that his actions are morally justified, inasmuch as there exists in the plot-line no other way for justice to be done. If the police force is corrupt and the C.I.A. are up to no good (not to mention the usually scum), what is one to do? It is therefore up to Toscani (Seagal) to take on a 'poetic license' of sorts and bring the transgressors back to justice.
M.A. Rogers, however, cogently points out in his commentary, that Seagal portrays a double-edged character. On the one hand he is easily angered, while on the other he puts out this "Mr. Cool" who is rife with obnoxious comments. This is why the film does so well. Important also is the scene in which his wife (Sharon Stone) pleads with him. She asks him to put down his 'pride'. She loves him because he is not like other men, but begs him to think of his family and back down. One cannot help, upon viewing this scene, to think of book six of "The Iliad" by Homer, where Andromache pleads with Hektor to stay in Troy for her sake and for the sake of his new-born son Astyanax. The emotion of the scene in Above the Law is heightened because of Seagal's show of restrained emotion: one isn't convinced that he is a 'family man'. He is. His stern face shows that he is a hard man, with a burden on his shoulders and an obligation to save his society as well as his family from an ailment that abounds everywhere. There is lots more to say on the matter, but I will leave that to another commentary. If you are at all a fan of the genre, than you must see it, even if you care only for the action. But I must make it clear that this movie is just as deep and sophisticated as any current drama. One just has to look beyond the surface.
Michael W. Helfield
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