| Delphine Zentout | ... | Lili | |
| Etienne Chicot | ... | Maurice | |
| Olivier Parnière | ... | Bertrand | |
| Jean-Pierre Léaud | ... | Boris Golovine | |
| Berta Domínguez D. | ... | Anne-Marie | |
| Jean-François Stévenin | ... | Le père | |
| Diane Bellego | ... | Georgia | |
| Adrienne Bonnet | ... | La mère | |
| Stéphane Moquet | ... | Ca-Pe | |
| Cécile Henry | ... | Maetitia | |
| Michel Scotto di Carlo | ... | Stéphane | |
| Anny Chasson | ... | Mme Weber | |
| Jean-Claude Binoc | ... | M. Weber | |
| Christian Lafitte | ... | Le conducteur | |
| Christian Andia | ... | Portier 'Opium' | |
| Alberto Maccione | ... | Le premier para |
Directed by | |||
| Catherine Breillat | |||
Writing credits | ||
| Catherine Breillat | (scenario) | |
| Catherine Breillat | (novel) | |
| Roger Salloch | (co-adaptation) | |
Produced by | |||
| Pierre Sayag | .... | executive producer | |
| Emmanuel Schlumberger | .... | producer | |
| Valérie Seydoux | .... | producer | |
Original Music by | |||
| Maxime Schmitt | |||
Cinematography by | |||
| Laurent Dailland | |||
Film Editing by | |||
| Yann Dedet | |||
Production Design by | |||
| Olivier Paultre | |||
Costume Design by | |||
| Valérie Seydoux | |||
Production Management | |||
| Claude Azoulay | .... | assistant unit manager | |
Second Unit Director or Assistant Director | |||
| Marie-Noëlle Claude | .... | second assistant director | |
| Olivier Jacquet | .... | first assistant director | |
Art Department | |||
| Philippe Chabeur | .... | assistant decorator | |
Sound Department | |||
| Michel Barlier | .... | sound dubbing | |
| Julien Cloquet | .... | foley engineer | |
| Dominique Dalmasso | .... | sound mixer | |
| Murielle Damain | .... | boom operator | |
| Jean Gargonne | .... | sound editor | |
| Marie Guesnier | .... | sound editor | |
| Jonathan Liebling | .... | foley artist | |
| Jacques Lévy | .... | sound dubbing | |
| Jean Minondo | .... | sound | |
Costume and Wardrobe Department | |||
| Deborah Ragouet | .... | costumer | |
Editorial Department | |||
| Cédric Kahn | .... | assistant editor | |
Other crew | |||
| Michel Lormoy | .... | production administrator: Belgium | |
| Marie-Christine Malbert | .... | press attache | |
| Sophie Schmit | .... | script supervisor | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Romance section | IMDb France section |
In France a young girl's coming-of-age usually means going topless for the first time on the beach at San Tropez, but the young heroine of Catherine Breillat's semi-autobiographical psycho-drama is no typical teen nymphet, showing more physical and emotional maturity at the tender age of 14 (going on 24) and an instinct for sexual provocation far beyond her actual experience. Lili may look like a sullen, restless, temperamental flirt, but only to men with one thing on their mind, in particular the jaded, aging playboy who pursues her to the bitter end of infatuation. Breillat directs her own script with a cool, clinical detachment, refusing to camouflage the cold mechanics of sex with any bogus soft-focus poetry. But because the film is so confident and impersonal it may be more of a tease than Lili herself, who in the end is only using all the complicated foreplay and frustration to help find a man who might release her from the terrible burden of virginity. C'est la vie.