Two friends, Ralph and Scott live in a small minded town at the onset of wide public dissatisfaction with the Vietnam war. While Scott's brother enlists, he and Ralph are outspoken in their... See full summary »
Patty Vare falls off a horse and is found unconscious by prep school student John Baker. He takes her to his dorm. As he quickly discovers, she is hiding from something. For John this ... See full summary »
A multimillionaire, whose son is gay and daughter a lesbian, leaves a will with one clause: His children will inherit his money only if at least one of them produces him a grandchild within a year of his death.
Robert Downey Sr.
Robert Downey Jr.,
It's recruiting time and despite being short and scrawny, Johnny Walker is America's hottest young football prospect. His dilemma: should he take one of the many offers from college talent ... See full summary »
Bud S. Smith
Anthony Michael Hall,
Robert Downey Jr.,
Louie Jeffries is happily married to Corinne. On their first anniversary, Louie is killed crossing the road. Louie is reincarnated as Alex Finch, and twenty years later, fate brings Alex ... See full summary »
Robert Downey Jr.,
A socially inept fourteen year old experiences heartbreak for the first time when his two best friends -- Cappie, an older-brother figure, and Maggie, the new girl with whom he is in love -- fall for each other.
Friends for ten years, a group of twenty-somethings head for the ski slopes as guests of Ian's father. (Ian and dad are estranged because dad worked too many hours when Ian was a lad.) Dad ... See full summary »
In 1989, clean-cut FBI man John Buckner is detailed to escort heavily-bearded Huey Walker back to jail for offences dating back to his days as a celebrated hippy radical. After Walker dupes... See full summary »
Two friends, Ralph and Scott live in a small minded town at the onset of wide public dissatisfaction with the Vietnam war. While Scott's brother enlists, he and Ralph are outspoken in their opposition to the war. Scott's attitude alienates him from his father and he and Ralph leave town to enjoy their 'freedom'. Various events lead them back to town where they learn of the death of the brother. This event proves to be the catalyst needed to bridge the gap between father and son and enlightens them both to the true cost of war. Written by
Mark Harding <firstname.lastname@example.org>
The narrator at the beginning states that John F. Kennedy had been killed the year before the film takes place. President Kennedy was actually assassinated on the 22nd of November, 1963. However, it was his brother, Robert Kennedy, who had been killed in 1968. See more »
You boys aren't working at the pool this summer?
No, we're going on the road. That's what hippies do ya' know.
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A movie poorly executed by and for the hippie culture, made nineteen years after the title year
I only watched 1969 late night one night because the title indicated to me that it might be a film dealing with the issues of the time in the year with sincerity or promise, or even as a documentary. I didn't know how the film would go after the first couple of scenes I saw, but Bruce Dern seemed formidable enough to keep a watch. When the credits started to roll though I thought to myself, "what a cliché ridden disaster this became, why did I stick with it?"
I guess I stayed tuned because the actors seemed promising enough- Dern in a supporting role as a hard-nosed father, his son in the lead played by Kiefer Sutherland, his cocky best friend played by Robert Downey Jr., and his beautiful sister played by Winona Ryder. Sutherland's character, Scott, decides he doesn't want to go to Vietnam like his brother, so he enlists into college with Downey's character, Ralph, and the two begin to discover what they've been sheltered from- free-love, drugs, and soon enough sex.
Some of these early scenes seemed to look kind of silly, but I enjoyed the (partly obvious) soundtrack and thought if I stayed with picture (instead of flipping to a different, better movie) it might pay off in the second or third act. I got proved wrong, as line after line and moment after moment seemed to lower my expectations, and the characters headed towards an last scene that made me want to puke in my lap.
The probable cause of the pits in this movie come from writer/director Ernest Thompson. I don't know who he is really, and I haven't seen any of his other efforts as a filmmaker, but it looked as though he was either tapping into his own by-the-numbers first account of the turmoil that went with coming of age in that year, or was tapping into the memories of other baby boomer yuppies who still try to think back to when they wanted freedom before gluing themselves into the "me" generation.
The players tried to do what they could, a couple of scenes had some laughs, and I grinned at a line or two from Downey Jr. Yet I couldn't get over how much the movie hit its well intentioned points home with near propagandizing techniques. To sum it up, this is absolutely the soapy, "made-for-television" version of what life was like in 1969. If you want the truer, earthy version(s) see Woodstock or Easy Rider - those two may be folklore at this point for that generation, but at least they work as being entertaining thirty-four years later to the following generation. Grade: D
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