Tony Micelli, a retired baseball player, becomes the housekeeper of Angela Bower, an advertising executive in New York. Together they raise their kids, Samantha Micelli and Jonathon Bower, with help from Mona Robinson, Angela's man-crazy mother.
A teenaged genius deals with the usual problems of growing up: having a girlfriend, going to parties, hanging out with his best friend, all this on top of being a licensed physician in a ... See full summary »
Neil Patrick Harris,
An adult Kevin Arnold reminisces on his teenage years spent growing up during the late 60s and early 70s. As he goes from adolescence to adulthood, he experiences, along with his best friend Paul and sometimes-girlfriend Winnie, the full range of trials and traumas that come in just about everyone's life. Written by
Jean-Marc Rocher <firstname.lastname@example.org>
Part of the show's running storyline is a falling-out between Kevin and Winnie, who becomes a background character for several months, until she and Kevin reconcile. The main reason for this part of the storyline was that actress Danica McKellar had had a growth spurt, and she and star Fred Savage, already shorter than McKellar, didn't look right standing together. The characters reconciled after Savage began to catch up in height. See more »
Throughout the series whenever characters are seen riding in vehicles, there are often instances of early-eighties to early-nineties vehicles parked/driving around. See more »
Kevin Arnold - The Narrator:
And so we finally got our new car. It wasn't red, it wasn't a convertible, heck, it wasn't even a Mustang. But it was brand new. And it was pretty cool. 'Course, Dad got his shot at king-for-a-day... and we were happy for him. But that afternoon, I began to understand what Dad had been going through. There was more to that old car than fuel pumps and crankshafts. There was a part of all of us in that car. The places we'd gone, the things we'd done... the family we had been. The family that was ...
See more »
This show has an engaging cast with stories set in the 1960s that involved down-to-earth, realistic plots. That's the real wonder of THE WONDER YEARS. It is far superior to most sitcoms because it isn't really a sitcom -- in other words it isn't based on silly situations and lame-brained characters.
The show is about growing up and the discovery of human nature. The writing has a depth unlike that of most TV shows. The humor is genuine, not based on typical TV contrived situations and shallow clowning. This is destined to be one of the classics of TV series.
73 of 79 people found this review helpful.
Was this review helpful to you?