Drama centering on the cases of the celebrated London barrister of the Victorian era, Edward Marshall Hall.






Series cast summary:
 Edward Marshall Hall (8 episodes, 1989)
 Edgar Bowker (8 episodes, 1989)
 Arthur Newton (6 episodes, 1989)
Leslee Udwin ...
 Henriette Marshall Hall / ... (4 episodes, 1989)
Trevor Ray ...
 Harry Bishop (4 episodes, 1989)
 Wellesley Orr (3 episodes, 1989)
Richard Moore ...
 Charles Mathews / ... (2 episodes, 1989)
Gary Files ...
 Mr. Justice Wills (2 episodes, 1989)
Phil McCall ...
 Jackson, Judge's Clerk (2 episodes, 1989)


Drama centering on the cases of the celebrated London barrister of the Victorian era, Edward Marshall Hall.

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tv mini series | See All (1) »





Release Date:

1 March 1989 (UK)  »

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Did You Know?


The series was filmed at the same warehouse facility in Bristol used at the time for the BBC medical drama Casualty (1986). See more »

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User Reviews

A competent, albeit pretentious, costume crime-drama
2 May 2001 | by (Leicestershire, England) – See all my reviews

Written by Richard Cooper, this competently made, albeit pretentious Edwardian court-room drama series, from the late 1980's, charts eight true-life cases taken by one of Britain's most successful and show-man-like barristers : Edward Marshall-Hall. Commencing with Marshall-Hall's defence of a German prostitute, charged with the murder of an elderly pimp, the series shows, via this instance, the proficient Hyde ("Jumanji" / "Titanic" / "The Mummy") replicating the dramatic court-room hyperbole, social magnetism and integrity, that enthralled the public, arguably via the then burgeoning popular press - and made the barrister a celebrity. With eyes glazed and arms waving, Hyde rants, in said episode, "I almost dare you to find a guilty verdict". In a career, that spanned to the 1920's, for which the barrister used early forensic evidence, Marshall-Hall accepted briefs for an ensemble of clients (that included aristocratic homosexuals, suspected spies and nearly Crippen), therefore allowing for a range, of mainly unknown actors - including the then ill-famed David Rintoul and Peter Capaldi - to contribute. Yet, this seemingly polished BBC production, lacks the character-driven intensity of its' counterpart - Jeremy Brett's 'Sherlock Holmes' series - and relies on its' status as a costume drama and systemic 'realism', as illustrated by the usage of unknown actors - leaving the show seeming contrived.

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