Producer Kenith Trodd was part of a 1984 team brought together to study how the BBC should respond to Channel Four's pioneering efforts in making films for both television and theatrical ... See full summary »
Centers on homicide detective odd couple, Tessa Vance, and her partner Steve Hayden. Shot in Sydney, Australia, the show was known for portraying gripping crime drama, while displaying the grittier side of urban Sydney.
After precipitating the death of a tenant with whom he has been feuding, Squire Fairfield brings the dead man's young daughter to live in Wyvern Manor. Alice grows up thinking the squire is... See full summary »
Two separate people, a man and a woman, find something very stirring about the sea turtles in their tank at the London Zoo. They meet and form an odd, but sympathetic camaraderie as they ... See full summary »
A competent, albeit pretentious, costume crime-drama
Written by Richard Cooper, this competently made, albeit pretentious Edwardian court-room drama series, from the late 1980's, charts eight true-life cases taken by one of Britain's most successful and show-man-like barristers : Edward Marshall-Hall. Commencing with Marshall-Hall's defence of a German prostitute, charged with the murder of an elderly pimp, the series shows, via this instance, the proficient Hyde ("Jumanji" / "Titanic" / "The Mummy") replicating the dramatic court-room hyperbole, social magnetism and integrity, that enthralled the public, arguably via the then burgeoning popular press - and made the barrister a celebrity. With eyes glazed and arms waving, Hyde rants, in said episode, "I almost dare you to find a guilty verdict". In a career, that spanned to the 1920's, for which the barrister used early forensic evidence, Marshall-Hall accepted briefs for an ensemble of clients (that included aristocratic homosexuals, suspected spies and nearly Crippen), therefore allowing for a range, of mainly unknown actors - including the then ill-famed David Rintoul and Peter Capaldi - to contribute. Yet, this seemingly polished BBC production, lacks the character-driven intensity of its' counterpart - Jeremy Brett's 'Sherlock Holmes' series - and relies on its' status as a costume drama and systemic 'realism', as illustrated by the usage of unknown actors - leaving the show seeming contrived.
7 of 13 people found this review helpful.
Was this review helpful to you?