Part 2 of 2: Dan gets bailed out of jail by an amused Darlene, while rumors fly from wild to wilder, as to why he was arrested. Jackie learns why Dan was arrested, and finds herself both angry with, ...
Tony Micelli, a retired baseball player, becomes the housekeeper of Angela Bower, an advertising executive in New York. Together they raise their kids, Samantha Micelli and Jonathon Bower, with help from Mona Robinson, Angela's man-crazy mother.
'Roseanne' is the story of a working-class family struggling with life's essential problems--marriage, children, money, and parents-in-law. A now-classic sitcom, the story circles around the Connor family, a family of five that includes the parents, Roseanne and Dan, and the children, Becky, Darlene, and D.J.. Roseanne is helped in her challenge to keep the family moving along by her single sister, Jackie, and various friends. Written by
Early during the first season, Roseanne frequently butted heads with the show's creator Matt Williams. Williams worked as the executive producer for the show's first thirteen episodes, but quit when Roseanne vehemently refused to say to her on-screen husband, "Well, you're my equal in bed, but that's it." Roseanne felt it was a line her character would never say. See more »
Throughout the series, primarily the latter seasons, the boom frequently drops into the shots. See more »
Often, a deleted scene from an episode would be shown during the credits. Otherwise, in earlier episodes, the normal closing theme would be heard. See more »
The whine of a harmonica, the shriek of laughter borne of pain...
A terrifically intense dramedy which features possibly the most realistic familial unit in TV sitcoms, not to mention a marriage between Roseanne and Dan Connor (Roseanne Barr and John Goodman) which is pin-point exact, warm and right--and feels lived in. All non-believers have to do is watch a few episodes: the timing is deceptively shaggy yet perfect, the characters believable, their predicaments immediate. Fully realized by Roseanne herself, who never let her real-life chronicles get in the way of the show. The writing is continually sharp, with dialogue that frequently evokes whole lives, such as in the episode where Roseanne sits in a coffee house after hours talking to a tired waitress who confides about her late husband, "I miss him. It's so quiet. Sometimes I'll turn a football game on, turn it up real loud...and I hate sports. But what'ya gonna do?" Tender moments like this, seemingly throwaway bits, elude some viewers looking for a fast laughter fix; "Roseanne" was always something more, and it aches in laughter and in life's woes.
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