"A Stash from the Past" is a wise, waggish and exceedingly daring episode from a sitcom renowned for its unflinching audacity. When Roseanne finds a bag of pot in one of the kids' rooms, she's angry-...
Al Bundy is a misanthropic women's shoe salesman with a miserable life. He hates his job, his wife is lazy, his son is dysfunctional (especially with women), and his daughter is dim-witted and promiscuous.
'Roseanne' is the story of a working class family struggling with life's essential problems: Marriage, Children, Money and Parents in Law. A classic sitcom, the story circles around the Connor family - a family of five (DJ, Darlene, Becky, Roseanne and Dan). The household's mother, Roseanne, is being accompanied in her quest to keep the family together by her sister Jackie and various friends over the years. Written by
Roseanne Barr is the only character of the series to appear in every episode. Although, she did only appear as herself in the tag of one episode. Laurie Metcalf and Michael Fishman were absent for about half a dozen episodes across the show, and John Goodman was absent for a dozen episodes during season 9. See more »
In the first season, the front door doesn't have a dead bolt on it. Then in a few episodes in the middle of the first season, the front door has a dead bolt. Then later on, the dead bolt is gone and then reappears officially in season 2. See more »
During the course of the series, Roseanne Arnold divorced Tom Arnold and changed her name to simply Roseanne. In the season-opener after the divorce, every cast and crew member in the opening and closing credits was listed onscreen by first name only. See more »
The whine of a harmonica, the shriek of laughter borne of pain...
A terrifically intense dramedy which features possibly the most realistic familial unit in TV sitcoms, not to mention a marriage between Roseanne and Dan Connor (Roseanne Barr and John Goodman) which is pin-point exact, warm and right--and feels lived in. All non-believers have to do is watch a few episodes: the timing is deceptively shaggy yet perfect, the characters believable, their predicaments immediate. Fully realized by Roseanne herself, who never let her real-life chronicles get in the way of the show. The writing is continually sharp, with dialogue that frequently evokes whole lives, such as in the episode where Roseanne sits in a coffee house after hours talking to a tired waitress who confides about her late husband, "I miss him. It's so quiet. Sometimes I'll turn a football game on, turn it up real loud...and I hate sports. But what'ya gonna do?" Tender moments like this, seemingly throwaway bits, elude some viewers looking for a fast laughter fix; "Roseanne" was always something more, and it aches in laughter and in life's woes.
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