The Red Dwarf crew transport a defrosting stasis capsule to 'Justice World', a remote penal space station, where they believe the person in the capsule maybe one of the convicts or one of the guards....
Gordon Brittas is the manager of the Whitbury-Newtown Leisure Centre. Despite his ambition and good intentions, everything seems to go wrong when he's around, despite the best efforts of ... See full summary »
Shy Optometrist John is in love with his assistant Barbara, but too scared of rejection to ask her out. When he discovers a pair of magic glasses that see 10 seconds into the future, he ... See full summary »
A comedy panel game in which being Quite Interesting is more important than being right. Stephen Fry is joined each week by four comedians to share anecdotes and trivia, and maybe answer some questions as well.
Three million years ago, a radiation leak killed the crew of the mining ship, Red Dwarf. The only survivor was Dave Lister, the chicken soup machine repairman. He spends his time on the ship with a holographic projection of Arnold Rimmer (his dead bunkmate), Cat (a life-form that evolved from Dave's cat), Holly (the ship's senile computer), and Kryten (a service mechanoid). Written by
Chris Barrie decided to reduce his involvement with the series after the sixth season. He was disappointed with the series' increasingly chaotic schedule and he was also starring in The Brittas Empire (1991). He agreed to appear in four of the eight episodes in the seventh season. Barrie returned as a full-time cast member in the eighth season. See more »
Red Dwarf is probably one of the most entertaining TV shows ever made. It's a hybrid of sci-fi and comedy that, when it works, works perfectly. The four core characters - Lister, the last human in the universe, Rimmer, a hologram of his worst enemy, Kryten, a cross between C3P0 and Data, and The Cat, a super-evolved humanoid feline - are very strongly written and played by a great cast. The show is not perfect, as the small budget often shows and The Cat, and Rimmer in some cases, are often given lines that they simply wouldn't come out with just so they have something to say. Apart from this, though, the show is of a very high quality and very unique.
Series I and II were very cheap - everything was cotton or plastic - and focussed on the sitcom aspects and character development. It was with Season III, and the introduction of Kryten as a regular, that Red Dwarf began to achieve it's potential. Suddenly there was more sci-fi and adventure in the episodes, with spaceships, bazookoids (mini-bazookas), shape-shifting, emotion-stealing aliens, and a cool guitar version of the theme tune.
Series IV was even better, and Series V even better than that. The show became just as much sci-fi as it was comedy, very cool indeed and tackled some imaginative premises with more skill than Star Trek: TNG in many cases. Finally, Season VI was absolutely superb, with the best production values the show had ever seen, and the funniest, most exciting storylines. Plus the fact that Red Dwarf itself, the spaceship, wasn't even in Season VI, which made it exceptionally cool. Every single episode was excellent, with the highlight proberbaly being 'Gunmen of the Apocalypse' wherein the crew entered a virtual reality version of the wild west. Series VI ended with five minutes of pure drama and a stunning cliffhanger- you'd be hard pressed to find a more exciting climax on TV. With Series VII, except for the great first episode 'Tikka to Ride', the show faltered. Rimmer left along with one of the two script-writers, which half-crippled the show. Whereas there used to be constant laughs throughout previously, with Season VII there were a few laughs an episode. Rimmer returned with Series VIII, but then Red Dwarf became a total farce with no real sci-fi and everything played for cheap laughs. It became a plotless string of lame sketches and was simply not funny. The characters became caracatures. The show became a complete mockery of the blend of sci-fi/comedy it had achieved previously. Let's hope the forthcoming feature film, with both writers at the helm, can bring back some of the old magic the show had.
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