Trying to prove his friend's innocence Campion makes several discoveries, including the fact that the murder was an exact copy of one in a book published by the Golden Quill. The dead man also had a ...
Drawing on her love of theatre and art, New Zealand novelist Ngaio Marsh created elegant crime-puzzlers full of quirky characters with hidden agendas, all brought meticulously to life in this BBC series.
Hetty wakes on her 60th birthday and decides to become a private investigator. With assistance from a teenager called Geoffrey and her husband Robert, combined with her own common sense, Hetty is confident she can solve any case.
Paired with her reliable and devoted chauffeur, Mrs Bradley's finely honed skills of investigation seek out the truth behind the mysteries surrounding a death at the opera, crimes of passion at a circus, poisoning and family secrets.
Some people find religion, but for 16-year-old Godou Kusanagi, it's religion that's found him! As the result of defeating the God of War in mortal combat, Godou received the position of ... See full summary »
Albert Campion --a bespectacled aristocrat of many pseudonyms, who moves amongst the high class as easily as the the crime underworld-- loves detection and adventure. Aided by his burglar-turned-manservant Magersfontein Lugg, and his policeman friend Stanislaus Oates, Campion unravels eight mysteries over the course of the series. Set in the 1930s, the series is based upon the works of English crime writer Margery Allingham. Written by
This BBC production is light, engaging fun beautifully filmed. Its main strengths are the performances of Peter Davison and Brian Glover along with the impeccable art direction of Steve Keogh. The repartee between Campion and Lugg from the novels is translated well. In the series, both characters are composites of their literary counterparts who evolved considerably over the course of the nine novels published in the 1930s (the first one, "Crime at Black Dudley" was not filmed). If you don't have the time or inclination to read Ms. Allingham's early novels, watching this series is the second best thing. The screenplays are generally faithful to the novels given the expected amount of condensation required to fit each into a hundred minute film, and the episode casts feature numerous fine performances by supporting characters. Overall, a good example of how to bring novels to the screen. In summary, if you like the classic, British country-house murder mystery, this is a fine example of that genre you shouldn't miss.
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