| James Bolam | ... | Trevor Chaplin (4 episodes, 1988) | |
| Barbara Flynn | ... | Jill Swinburne (4 episodes, 1988) | |
| Dudley Sutton | ... | Mr. Carter (4 episodes, 1988) | |
| Keith Smith | ... | Mr. Wheeler (4 episodes, 1988) | |
| Dominic Jephcott | ... | Det. Insp. Hobson PhD (4 episodes, 1988) | |
| George Costigan | ... | D.C. Ben (4 episodes, 1988) | |
| Patrick Drury | ... | Ivan (4 episodes, 1988) | |
| Sean Scanlan | ... | D.C. Joe (4 episodes, 1988) | |
| Dave Leslie | ... | Man Opposite (4 episodes, 1988) | |
| Gaynor Kitchen | ... | Sharon (4 episodes, 1988) | |
| Darren Bennet | ... | Gary (4 episodes, 1988) | |
| Thomas McGlinchey | ... | Firstborn (4 episodes, 1988) | |
| Terence Rigby | ... | Big Al (3 episodes, 1988) | |
| Danny Schiller | ... | Little Norm (3 episodes, 1988) | |
| Judy Brooke | ... | Yvonne Fairweather (3 episodes, 1988) | |
| Eamon Boland | ... | Peter Swinburne (3 episodes, 1988) | |
| Peter Martin | ... | Charlie (3 episodes, 1988) |
Series Directed by | |||
| Alan Bell | (4 episodes, 1988) | ||
Series Writing credits | ||
| Alan Plater | (4 episodes, 1988) | |
Series Produced by | |||
| Michael Glynn | .... | producer (2 episodes, 1988) | |
| Keith Richardson | .... | executive producer (2 episodes, 1988) | |
Series Original Music by | |||
| Frank Ricotti | (4 episodes, 1988) | ||
Series Cinematography by | |||
| Peter Jackson | (4 episodes, 1988) | ||
Series Film Editing by | |||
| David Aspinall | (4 episodes, 1988) | ||
Series Casting by | |||
| Paddy Stern | (4 episodes, 1988) | ||
Series Production Design by | |||
| Mike Long | (3 episodes, 1988) | ||
Series Costume Design by | |||
| Brian Castle | (4 episodes, 1988) | ||
| Janice Marsden | (2 episodes, 1988) | ||
Series Makeup Department | |||
| Judy Jarvis | .... | makeup artist (4 episodes, 1988) | |
Series Production Management | |||
| Ian Ferguson | .... | unit manager (4 episodes, 1988) | |
Series Art Department | |||
| Peter Allen | .... | chargehand props (4 episodes, 1988) | |
| Christine Normanton | .... | production buyer (4 episodes, 1988) | |
| Stuart Pearson | .... | graphic artist / graphics (4 episodes, 1988) | |
Series Sound Department | |||
| Barrie Box | .... | sound recordist (4 episodes, 1988) | |
| Terry Cavagin | .... | dubbing mixer (4 episodes, 1988) | |
| John Fountaine | .... | sound recordist (4 episodes, 1988) | |
| Alan Willis | .... | dubbing editor (4 episodes, 1988) | |
Series Camera and Electrical Department | |||
| John G. Rogers | .... | chargehand electrician (4 episodes, 1988) | |
Series Music Department | |||
| Kenny Baker | .... | musician: cornet solo (4 episodes, 1988) | |
| Paul Hart | .... | musician: violin (4 episodes, 1988) | |
| Dave Hartley | .... | musician: piano (4 episodes, 1988) | |
| Christopher Laurence | .... | musician: double bass (4 episodes, 1988) | |
| Don Lusher | .... | musician: trombone (4 episodes, 1988) | |
| Frank Ricotti | .... | musician: vibes (4 episodes, 1988) | |
| Stan Sulzmann | .... | musician: tenor saxophone (4 episodes, 1988) | |
Series Other crew | |||
| Keith Ansell | .... | stage manager (4 episodes, 1988) | |
| Stewart Barlow | .... | unit assistant (4 episodes, 1988) | |
| Peter Lover | .... | production associate (4 episodes, 1988) | |
| Patricia Robertshaw | .... | production assistant (4 episodes, 1988) | |
| Andrew Sanderson | .... | design (unknown episodes) | |
|
|
|
|
|
| "The Beiderbecke Tapes" | "The Beiderbecke Affair" | The Family Way | Beautiful People | And Now... Ladies and Gentlemen... |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Episode guide | Full cast and crew | Company credits |
| External reviews | News articles | IMDb TV section |
| IMDb Comedy section | IMDb UK section |
You may add a new episode for this TV series by clicking the 'add episode' button
Hi.
Keno27 obviously did see The Beiderbecke Connection - but, equally obviously, didn't understand it (having seen some of his other reviews I'm sure that this is the explanation). All three of Alan Plater's Beiderbecke series are very British, actually very English - and maybe very Yorkshire (or at least North-East English).
Most US humour is very different from UK humour. Brits often think there is a lack of subtlety in US humour and Americans often think the same of UK humour. But the truth is that they're just different.
Most of Plater's work is definitely not transatlantic, it is accurately aimed at British society and uses (and often spoofs) British humour and ideals. By the same token a lot of US humor and ideology is equally non-transatlantic. I personally remember most of my peers being totally confused by the likes of George Jessel - and as for a Brit reading Jon Dos Passos......!
The Beiderbecke Connection continues the adventures of Jill and Trevor through parenthood, housing a refugee, police surveillance, equipment shortages at school, a leaky roof and several other oddities.
Jill calls First-born Karl after Karl Marx - who wasn't a Soviet-style communist but an intellectual. Trevor calls him Edward after Duke Ellington - who wasn't a US-style capitalist but a musician. Big Al. calls people Brother - but in the UK trade-unionists call each other Brother (and on the railway it was Bruvver, as in Joe Brown and the Bruvvers {a skiffle band}).
None of this is preaching communism, it is poking fun at people who take these things seriously. Neither communism nor capitalism are as important as life, that is the message. Freedom (and children) are vastly more important than politics.
As all this is in a very British style it will probably be misunderstood by those of another culture - as Keno misunderstood it.
Take care, Phil.
"Time wounds all heels."