The main character is unhappily married and has an affair. When his wife finds out, she lures his girlfriend to a cliff and throws herself of it, making the girlfriend look as her killer. ... See full summary »
Single father obsessed with murdering the hit&run driver who killed his only child, poses as a screenwriter to get close to an actress who was in the death car. He feels fully prepared to ... See full summary »
They are the best friends of the world. Five friends who shared everything: may 68, hippies years, the rock and their love for Bernadette. This Bernadette has left them to become a ... See full summary »
"Malotru", a French intelligence officer, undercover in Syria for 6 years, is called back home. He will face the difficulty to forget his undercover identity, the disappearance of a colleague in Algeria, and the training of a young girl.
When a small town begins losing its citizenry in a series of grisly murders, out-of-town police inspector Jean Lavardin (Jean Poiret) is sent to investigate. Could the killers be a bullied ... See full summary »
After his wife leaves him for another man, Jacques hires a housekeeper, Laura, to keep his Paris apartment in order. As he starts increasing her hours and spending more time with her on her... See full summary »
A second-class horror movie has to be shown at Cannes Film Festival, but, before each screening, the projectionist is killed by a mysterious fellow, with hammer and sickle, just as it happens in the film to be shown.
In this 2003 remake of the classic 1952 French film, Fanfan la Tulipe is a swashbuckling lover who is tricked into joining the army of King Louis XV by Adeline La Franchise, who tells Fanfan that by doing so, he will eventually marry one of the king's daughters.
The gritty decors combine interestingly with a dreamlike plot, pitting the hero and his "borderline" brother against the hostility of his home town, inflamed by his return, after his mother's death, with his Marilyn-Monroe-imitating girlfriend/fiancee. Although the conclusion is a bit facile, this film should go down in history for Pauline Lafont's - and the director's - creation of Lilas. Incarnating a male fantasy leavened with reminiscences of her mother Bernadette's powerful performance in Nelly Kaplan's _La fiancee du pirate_, Lafont generates more sheer sexual magnetism than any other woman I have ever seen on screen, whether rated R or XXX. It's wrenching to recall that this vibrant young woman died in an accident a year later at the age of 25.
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