Set in 1960, the film centres on the young, boyishly handsome Yuddy, who learns from the drunken ex-prostitute who raised him that she is not his real mother. Hoping to hold onto him, she ... See full summary »
A disillusioned killer embarks on his last hit but first he has to overcome his affections for his cool, detached partner. Thinking it's dangerous and improper to become involved with a ... See full summary »
A Hong Kong police station used to be a clubhouse of the Japanese at the time of their occupation of the city during World War II. However, at the end of the war, many of the Japanese ... See full summary »
Two Young couples Lap (Joey Wang) and Rick (Kenny Bee) separates when Lap's Father (Kwan Hoi San) fails a mission, and Lap asks his father's partner Godfather Shen (Chan Wai Man) for help ... See full summary »
Providing an image of the daily life of ordinary Shanghai people, the story is carried out over two periods: from the 1960s to the mid-1970s, the end of the Cultural Revolution; and from the 1980s to the start of the 21st century.
Unfortunate that this routine HK gangsters & gags piece re-surfaces because of the Wong Ka Wai connection when so many major films from the colonial industry have been ignored.
The orphans grown to become underworld figures come into conflict when the imprisoned heavy leaves his old friend in charge of both his mistresses. Hark and Tsang are so young looking with skilled comic Tsang working against type as a heroic juvenile who even gets to scoop up his love interest from a moving car in slow motion.
The coloured gel lit Hong Kong club scene is quite vivid but comedy is totally unfunny and at odds with the serious elements.
This one is an odd glimpse of major talents in their early years, of little interest to the English speaking market so often unfamiliar with their important films.
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