A look a the lives of two sex workers in Tokyo: Rei, who works as an S&M dominatrix, and Ayumi, in the more straightforward profession of call girl. In addition to their working life, the ... See full summary »
At the beginning of the film the father-in-law of the protagonist dies unexpectedly of a heart attack. The remainder of the film is episodic, moving from one incident to another over the ... See full summary »
Mirai, a high school girl, is transferred to an upscale private girls school. She soon finds out the school not only cultivates young minds, but also supplies young bodies to rich ... See full summary »
Delamu ¨C Tibetan for "Peace Angel". Since ancient times, China's two primary land routes connecting it to the outside world have been the Silk Road in the north, and Tea Horse-Road in the ... See full summary »
A misfit high-school science teacher decides to build his own atomic bomb. He steals isotopes from a nuclear reactor and manages to create two warheads, but at the same time is present at a... See full summary »
A director with a very distinctive style, Jovan Jovanovic has filmed in 1971 one of the most significant works in the history of contemporary Serbian film. "Young and Healthy Like a Rose" ... See full summary »
Imamura Shohei is not, perhaps, if one has seen films like Vengeance Is Mine, Intentions Of Murder, Insect Woman or Karayuki-San, the first choice one might imagine to have made such a richly comedic masterpiece of Japanese (hyper-)nationalist satire as this. Yet, the above films are not only helpful, but darn near essential viewing in order to grasp the full flavour of what Imamura has made out of his (and Ogata's) Quixote figure, the Holy Fool who is so blindly faithful to his nation and his 'great cause', and who commits deeds for them that should, if properly viewed, elicit all of profound horror, chaotic laughter and even tearful sympathetic empathy. For if one is unaware of the bitter truths of the Japanese woman of the Meiji era unwittingly sold into prostitution by their families, as documented in Karayuki-San, then an entire layer of the film is lost in the idea of a fictional man who could have, in Imamura's vision, founded such a system in the course of no less than a dream of the great glory of his country.
Yet, this is not to say that the film cannot be enjoyed without such a background. The satire is sharp, yet the comedy itself is broad and the arc of Ogata's Muraoka is one of the most complete and all-encompassingly humanist character portrayals in all Japanese film. Imamura is used to portraying men as scoundrels, as victimisers, murderers, petty thieves and calculating demons; Muraoka is all of these things and yet none of them. He cannot be defined by any single characteristic any more than any non-fictional being could; yet, he can stand alone or for the entirety of Japanese culture, as well as for any other great figure in Imamura's work (and, dare I say it, either male or female). The characters with whom he interacts, too, are at turns majestic and base, glorious and vainglorious, realistic and archetypal, and likewise acted just as well, from the indelible figure of Muraoka's Dulcinea, Shiho (a name that seems to bear a profound resemblance to Imamura's own), a part just as well-portrayed as Ogata's, to every third-rate would-be pimp and whore they come in contact (and, my heavens, there are a lot of them!) over the span of some forty-odd (very odd, indeed) years in the brothels, mansions, ships and huts of the film.
Whoever you are reading this, you are doing yourself a disservice in not seeing this film. This is, I have no doubt, one of the as-yet-undiscovered-masterpieces of world cinema, a testament to the ability of film to provide insights which no other media can provide as succinctly and as tellingly as a pristine performance within a perfect story told by an incomparable storyteller. In the twenty years since Zegen, I cannot think of a film so passionately yet simply told, so worthy of praise. It is an echo of Cervantes and of Welles, the author and greatest interpreted of the Don Quixote tale, and deserving of rank amongst them as great filmic literature.
9 of 10 people found this review helpful.
Was this review helpful to you?