| Dean Shek | ... | Lung Si | |
| Lung Ti | ... | Sung Tse-Ho (also archive footage) (as Ti Lung) | |
| Leslie Cheung | ... | Sung Tse-Kit (also archive footage) | |
| Yun-Fat Chow | ... | Ken / Mark Lee / Mark 'Gor' (also archive footage) (as Chow Yun Fat) | |
| Emily Chu | ... | Jackie Sung | |
| Fui-On Shing | ... | Ko's Right-Hand Man | |
| Kenneth Tsang | ... | Ken | |
| Regina Kent | ... | Peggy Lung | |
| Sing Chau Wai | |||
| Marco Wo | |||
| Ken Boyle | ... | Bearded Crime Boss | |
| Ming Yan Lung | ... | Chong | |
| Sammy Lee | |||
| Chindy Lau | |||
| Shan Kwan | ... | Ko Ying Pui | |
| Paul Francis | |||
| rest of cast listed alphabetically: | |||
| Mike Abbott | |||
| Dean Harrington | ... | Hitman in the hallway | |
| Mark King | ... | Shotgun Pete | |
| Siu-Ming Lau | ... | Inspector Wu | |
| Waise Lee | ... | Shing (archive footage) | |
| Ming Leung | |||
| Man Tat Ng | ... | Mr. Wong | |
| Peter Wang | ... | Sam | |
| Charles Dumas | ... | New York Cop (uncredited) | |
Directed by | |||
| John Woo | |||
Writing credits(in alphabetical order) | ||
| Hark Tsui | story | |
| John Woo | ||
Produced by | |||
| Paul J.Q. Lee | .... | associate producer | |
| Hark Tsui | .... | producer | |
Original Music by | |||
| Joseph Koo | |||
| Lowell Lo | |||
Cinematography by | |||
| Wing-hang Wong | |||
Film Editing by | |||
| David Wu | |||
Production Design by | |||
| Andy Lee | |||
| Chi Fung Lok | |||
Costume Design by | |||
| Pauline Lau | |||
| Nancy Tong | |||
Makeup Department | |||
| Billy Chan | .... | makeup artist | |
| Bones Chan | .... | makeup artist | |
| Nancy Tong | .... | hair stylist | |
Production Management | |||
| Kuo-chung Chou | .... | post-production manager (as Tony Chow) | |
| Fung-jun Fung | .... | assistant production manager | |
| Kin-cheong Jue | .... | assistant production manager | |
| Wai-Lun Lam | .... | assistant production manager | |
| Ting-Kit Lo | .... | assistant production manager | |
| Kar-Man Won | .... | production manager | |
| Ting-cho Wong | .... | assistant production manager | |
Second Unit Director or Assistant Director | |||
| Randy Ostrow | .... | assistant director: New York | |
Special Effects by | |||
| Matt Vogel | .... | pyrotechnician | |
Stunts | |||
| Siu-Tung Ching | .... | stunt coordinator | |
| Phil Neilson | .... | stunt coordinator | |
| Phil Neilson | .... | stunt performer | |
| Peter Rocca | .... | stunts | |
| Chi-Lung Wu | .... | assistant stunt coordinator | |
| Tak Yuen | .... | assistant stunt coordinator | |
Editorial Department | |||
| Simon Broderick | .... | colorist | |
Music Department | |||
| Leslie Cheung | .... | playback singer | |
| Joseph Koo | .... | composer: theme music | |
| James Wong | .... | lyricist | |
| David Wu | .... | music editor | |
Other crew | |||
| George Camarda | .... | location manager | |
| Siu-Tung Ching | .... | action choreographer | |
| Siu-Tung Ching | .... | action director | |
| Hark Tsui | .... | presenter | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Hong Kong section |
After the movie 'A Better Tomorrow' became a big success around Hong Kong, a sequel was inevitable to happen. Most of the original cast return, including Chow Yun-Fat as Mark Lee's twin brother Ken.
Taking place a few years after the events of the first film, we see how things are finally starting to look up. Ho is in prison but he's finally re concealed his relationship with his brother Kit, who has become a loving husband and soon to be father. But like the first film, things get bad real quick. Ho's former master Lung has been framed for murder and even loses his mind as his life gets worse. He's sent over to New York to keep a low profile and to be looked after by Ken who owns a restaurant and lives there. Meanwhile Ho and Kit are working together to end the triad gangs.
This is where the problem starts. The first film revolved around Ho and the people around him, but this film spends way too much time with Ken trying to get Lung back to normal. Ho and Kit's plot seems to delve deeper into the main story ark, yet they never seem to get enough scenes. Ken is pretty much similar to Mark although he may be a little darker and you can tell he's only in the film because of Chow Yun-Fat's character was so popular in the last film.
The film doesn't seem to make a huge continuation onto the first film either. Instead of being it's own story, it seems to just be an expansion of the first film, but not in a good way. We don't delve too much into the characters and they seem underused. The film is also known for having a sillier feel in a few scenes(Famous Rice Scene), but it didn't ruin the experience for me. These flaws are apparently due to disagreement between John Woo and producer/second writer Tsui Hark about the tone of the film, causing Woo to disown most of the film, except the end shootout. John Woo's original cut was around 3 hours and is rumoured to improve on some of the flawed moments. A version I hope will appear in some future release of the film.
Now for the goods. The film seems to get noticeable better during the second half, beginning with the amazing hotel shootout. The film is well known for it's exaggerated violence and blood and the film doesn't disappoint. The action is a big step up from the first and some of the best ever filmed for its time. Chow Yun-Fat is once again cooler than ice, with his trademark sunglasses, trench coat, matchstick and dual pistols and may be one of the main appeals of the film. The Climatic assault on the triad mansion is one of the greatest shootouts and one of the greatest ending ever filmed. It's no wonder that it's the only thing Woo likes about the film. The amazing soundtrack returns and their are a few emotional scenes that actually work well.
With many iconic scenes (The stairs scene being one), the film is a lot better than it gets credit for. The film is no masterpiece and doesn't compare to the first but it has its moments. Silly and flawed moments aside the film is actually quite enjoyable and as long as you keep an open mind, I think you'll enjoy this conclusion to the Better Tomorrow saga. Part 3 doesn't count!